We can call them triads and we'll be talking about what that is before-- so that's one reason: major versus minor.
我们可以统称为三和弦,我们一会儿会说到,好的,这是一个答案,大和弦和小和弦
Remember the other people, the octaves had been enunciated, the triads had been enunciated.
记住其他人,八度音也曾发明过,三元组也被发现过。
Last time we worked through this idea of the scale and how you can build triads on each of the members of the scale.
上节课我们已经讨论过音阶中的这个概念,以及你们怎样才能在音阶的各个音上组建起三和弦。
They tend to be just triads whereas in classical music we can have a triad but we can also add a seventh note with one,three,five,seven,nine,eleven, that kind of thing.
流行乐一般只用三和弦,但是古典乐可以用三和弦,也可以在上面加上七音,一,三,五,七,九,十一,诸如此类的。
And he did it for other triads.
他这样做还为了其他的三元组。
So we can build triads on each of the members of the scale, and we said that some of these chords tend to be used a lot more than others, that the tonic is very important, the dominant is important, the sub-dominant right next to and below the dominant is important, and we're going to be talking about the VI chord today.
那么我们能够在音阶的各个音上建立三和弦,而且我们说过有些和弦将会比其它的运用更为普遍,基音,I和弦,属音,V和弦,都很重要,紧靠属音的下属音也很重要,我们今天就要讲讲VI和弦。
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