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Not even the muse Calliope, the muse of epic poetry, was in a position to avert a human tragedy like this.
即使是缪斯之一克莱俄帕，掌管史诗的女神，也不能避免这样一场人间悲剧。
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The Comedy/Tragedy is for theatre. The Microphone is for radio.
悲剧/喜剧是给剧院的。麦克风是给广播的。
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It's at this point that Milton chose for the subject of his epic poem the subject of the tragedy that he'd been contemplating for so many years.
弥尔顿在这个时候决定用他多年来都在构思的,悲剧的主题作为他的史诗的主题。
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Pity" and "terror," these become crucial terms, the terms that Aristotle, in his Poetics, used to define tragedy.
遗憾或恐惧“,这是很关键的词，亚里士多德在《诗学》中用它，定义悲剧。
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when innocent lives were lost in such tragedy, especially after Hurricane Katrina, in the Jewish community people are really struggling with that question.
当这样的灾难夺去无辜的生命，尤其是在卡特里娜飓风之后，犹太社会的人们开始,挣扎于这个问题。
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And the sort of tragedy then is sort of personal tragedy where is taking away from his parents.
悲剧是一种个人的,从父母那里的来的悲剧。
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They are trying to make sense of the tragedy that has befallen them, how a text like Joshua 23 and Joshua 24 would go a long way towards explaining their fate while retaining faith in Yahweh.
他们想要解释降临在他们身上的悲剧，章节如《约书亚书》第23和24章就花很大力气,来解释他们的命运，同时保持对耶和华的信仰。
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The greatest tragedy of American history arguably is that this struggle could not be decided by debate.
美国历史上最大的悲剧可以说是,这场斗争不能由辩论来决定
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When we look at the death of Socrates, do we think of it as a tragedy, as a moral tragedy, ? a just man sentenced to death by an unjust law?
当我们读到苏格拉底之死，我们是否会认为那是一场悲剧，道德悲剧，一名正义之士被不公的法律判处死刑？
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Katrina was not only a tragedy, it was an envrionmental catastrophe as well.
卡特里娜飓风不仅带来了一场悲剧，同时它也是一场环境灾难。
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It's a little bit like Aristotle's idea of catharsis, which can be understood in a variety of ways, but Milton at the end of Samson Agonistes understands it in one way when he says, Now we have as a result of this tragedy "calm of mind, all passion spent."
这有点像亚里士多德的精神发泄法理论，我们可以通过各种方法来理解，但是米尔顿在《力士参孙》一书的结尾,有另一种理解，他写道，这个悲剧使我们拥有了,“平静的精神，耗尽的热情“
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If you like comedy, don't watch a tragedy.
如果你喜欢喜剧，就不要去看悲情片。
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In both movies, Magnificent Amberson and Citizen Kane, that sort of tragedy that changes the past. Now you have the reality which is sort of bleaker.
在两部电影中，《安巴逊家族》和,《公民凯恩》，都有种悲剧的概念,改变了过去，现在你觉得,现实有点黯淡。
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That was supposed to be a tragedy that, in some manuscript drafts that we still have today -- in some manuscript drafts, he titled this prospective tragedy Paradise Lost and in other drafts Adam Unparadised.
他打算写一部悲剧，在一些目前还存留的草稿中,我们看到弥尔顿将这部要写的悲剧命名为,《失乐园》，在另外一些草稿中又叫做《亚当失乐园》
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So, it's a real tragedy that the world had lost that.
所以，这个世界失去了那段影像真是一个悲剧。
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Like no tragedy has happened to me yet.
就像没有悲剧曾经降临在我身上。
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