The hotel needs to be modern too.
酒店也应该现代化。
We're not going to be studying it necessarily for how important it was for Medieval and Early Modern Literature, for example.
也不会研究它,对于中世纪及早期现代文学的重要性,等等。
We need to avoid the temptation, in many ways understandable as it might be, to airbrush or sanitize Aristotle, to make him seem more politically correct for modern readers.
我们要避开这个诱惑,虽然在很多方面看来,他可能在经过喷雾与消毒之后较易理解,亚里士多德,也许会对现代的读者变得比较政治正确。
Foucault couldn't possibly allow for that because plainly the whole texture of their discourse would be undermined by introducing the notion that it's okay to be a master, and yet Ricoeur feels that these figures dominate modern thought as masters.
福柯不会认同因为,这样的话他们话语的整个结构就会被破坏,如果引入可以作为大师的观点的话,同时,里克尔感觉这些人支配着现代大师的思想。
But Milton portrays himself as a laborer here, a poet who by labor and intense study actually has to work to produce the great poem. Milton's divine vocation, his calling, seems in this light to be something like a vocation in the modern sense: it's a job that exacts work or labor.
但弥尔顿把他自己描绘成一个工人,一个只能通过努力学习来创作出,伟大诗歌的诗人,弥尔顿的神圣的使命,他的天职,就此而论就像现代意义上的职业了:,一份要求工作和劳动的职业。
This is less of a problem in modern life then it used to be, but because things are supplemented and fortified-- overly so in some cases-- but still the deficiencies are less common then they used to be.
相比过去,这在现代社会中已不太多见,因为如今很多食物有人工添加的微量元素,有些甚至是过度添加了,但相比过去,缺乏微量元素已不那么常见了
In my view, we need especially to examine the older traditions of the West that came before the modern era, and to take seriously the possibility that useful wisdom can be found there, especially among the Greeks who began it all.
所以我认为,我们得研究学习古时的,西方文明体系,认真的对待其中,实用智慧的潜在价值,特别是古希腊人的经验
He seems, in this way, to anticipate what we might think of as the modern welfare state that public assistance be provided, and the poor, not simply depend on the private goodwill of the others.
如此看来,霍布斯已经预见到了,我们现代社会国家福利制度的出现,穷人不只依靠个人的善意施舍度日,更多的是求助于国家提供的福利保障。
I think the sort of skepticism I mean arises from what one might call and what often is called modernity not to be confused with Modernism, an early twentieth-century phenomenon, but the history of modern thought as it usually derives from the generation of Descartes, Shakespeare, and Cervantes.
我所说的怀疑主义,产生于我们通常说的现代性,不要与20世纪早期的,现代主义搞混了,现代性是现代思想的历史,始于笛卡尔,莎士比亚和塞万提斯一代。
So I went back to the great creator raising his plastic arm and suggested that, well, maybe after all there might be some good way of complicating the meaning of Akenside by suggesting that the modern, anachronistic meaning of "plastic" would be relevant to the sense of the poem.
所以我回想了一下,当这位伟大的创造家抬起他的塑料手臂,说,也许总有办法,能让Akenside的意思更复杂,有一个很好的例子就是,“plastic“一词古今意思的差别“,和诗歌的意境有关。
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