What you have there is a moment when the perception of the child becomes the perception of the world imbued with imagination.

那时是孩子的感知,成为了世界的感知。

耶鲁公开课 - 1945年后的美国小说课程节选

It's also the shape, the interpretation, the perception, the focus.

还有是何形状，如何解读，如何理解，关注的重点。

哈佛公开课 - 幸福课课程节选

So the perception is really important here.

因此,在这里对食物的认知非常重要

耶鲁公开课 - 关于食物的心理学、生物学和政治学课程节选

The poem's great final question concerns that perception: "Did she put on his knowledge with his power"?

诗的最后一个很好的问题,就响应了前面那种看法：,她是否借他之力获得了知识？

耶鲁公开课 - 现代诗歌课程节选

Isn't the distinction between friend and enemy ? based on a kind of knowledge, on a perception of ? who is your friend and who is your enemy?

朋友与敌人之间的差别,不是根据知识吗，或是你对,谁是朋友或敌人的看法？

耶鲁公开课 - 政治哲学导论课程节选

They're automatic rules of the same sort we're going to talk about in the context of visual perception in that they're implicit and unconscious and not accessible to explicit understanding.

这些自动的规则,和我们将要讨论的视觉感知是类似的,因为它们都是内隐的,无意识的,也是无法清晰了解的

耶鲁公开课 - 心理学导论课程节选

Shklovsky in particular is very much preoccupied with - the sense of the automatization or automism-- I much prefer the latter word -of perception, the way in which we no longer really see what's around us.

什克洛夫斯基对于自动化这个概念非常热衷,自主化，自动化-,嗯，我喜欢后面的那个词,这表示我们不能再看清,我们周围的事物了。

耶鲁公开课 - 文学理论导论课程节选

And to the extent these portray an unrealistic or unfair or biased perception of the world we could construct stereotypes that are faithful to the data we're getting but the data is not representative.

因为媒体,没有真实，公平，不偏不倚地反映世界,我们的刻板印象,就会根据这些信息来形成,但这些信息并不能以一概全。

耶鲁公开课 - 心理学导论课程节选

We've already done this to some extent with domains such as visual perception, memory, language and rationality, but now we're going to move to the case where it's maybe even somewhat more difficult to do this.

在某种程度上，我们已经做了,在这些领域，诸如,视觉感知，记忆，语言及合理性，但现在我们要看的例子,也许做起来有点难度。

耶鲁公开课 - 心理学导论课程节选

is dependent on how we perceive the world, on the form,on our interpretation,on our perception.

在于我们如何看待世界，not，only，primarily—,社会习俗规条，我们理性和感性上的认知。

哈佛公开课 - 幸福课课程节选

It is those aspects of a text, the way in which those devices of a text that call themselves to our attention, are new: that is to say, the way in which they shake up perception through the fact that we're not used to seeing them.

他是文本的一个方面，是文本用于,吸引我们注意的一种工具，非常新奇：,也就是说，它们用我们从未见过的方式,去描述事物。

耶鲁公开课 - 文学理论导论课程节选