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What we're talking about is literariness--that is to say, certain devices that we can identify that perform a certain function -and maybe out of the identification of these devices, to evolve a theory that's more widespread.
我们谈的是文学性，是一种我们能够认知并运用来达到一定目的的策略,我们需要进一步发展这个策略，使这个理论进化并传播。
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And Nabokov says: The students leaned heavily on emotional identification, action, and the social, economic and historical angle.
纳博科夫说：学生严重倾向于：,情感上的共鸣、动作、,社会、经济和历史角度。
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In "Easter, 1916" I talked about Yeats's partial, complicated identification with the suffering martyrs of that poem.
在《1916年复活节》我谈到叶芝，对受难的殉道者的同情和偏向。
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Milton's bogey seems to be the specter hovering over women poets or women writers who may find in Milton an identification of poetic strength with masculinity itself.
弥尔顿的惑众谣言似乎是指依附在女诗人,和女作家心中的幽灵，她们在弥尔顿身上发现,诗的力量与男性力量本身是同源的。
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In some ways, it might just occur to me this identification of the gay gene.
某种程度上来讲，这让我想起了,同性恋基因的认定。
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Nothing is said of Moses' childhood, But we learn of his awareness of his Israelite identity, or his identification with the Hebrews, in the following passage: this is in Exodus 2:11-15: Some time after that, when Moses had grown up, he went out to his kinsfolk and witnessed their labors.
丝毫没有提到摩西的童年，但是我们却知道他意识到自己以色列人的身份，或者是他与希伯来人的身份关联，在接下来的《出埃及记》第2章11到15节中：,在那之后，摩西长大了，他出去看到了他的同族和他们的劳作。
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In calling him here the Tuscan artist, in some respects we can see him forging an identification between himself as a literary artist and Galileo as a scientific artist.
从伽利略托斯卡纳大师的名号中，我们可以看出弥尔顿把他自己，一个文艺上的大师,和伽利略，科学上的大师，视为同一。
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They're more like propositions, like speculations, that we're asked to test through empathic identification with, in this case, the poem's subject, Leda.
它们更像观点，像推测，而不是问题，叶芝问这些问题,以同情的口吻关注着，此诗的主题，丽达。
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But, Nabokov's relationship to this modernist past is not just the burlesque that he visits on Eliot, is not just this complicated attraction and dis-identification that he works on with Proust.
但是，纳博科夫和现代主义者的关系不只是,他对艾略特的滑稽模仿，也不只是和普鲁斯特,复杂的吸引和不认同。
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What is the status of identification?
读者把自己代入书中角色时情况会如何？
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We're struck by the arrogance implicit in Milton's active identification here.
我们感叹弥尔顿在这里暗示,自己可以与基督相提并论。
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And when we begin to speak about the human being and human dignity, people with religious identification quickly find themselves talking about concepts that have an element of sacred to them.
当我们开始谈论人类,和人的尊严，信仰宗教的人,很快会发现自己在谈论那些,对他们有着神圣意义的概念。
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And so that for me to see art that represents that confliction or confusion can be actually the kind of grace of identification that allows me to feel that I'm not alone in the world perhaps.
所以，在我看来，如果看到艺术,能够呈现矛盾与疑惑，实际上他们,带给了我一种认同的美丽，让我感觉,自己在这个世界上并不孤单。
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