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With "Mowing" as the example, I said that in Frost, meaning is always something made, something the poet works on and works for.
用“割草“做例子，我说过对弗罗斯特来说，意义总是一些事情体现出的，是一些诗人一直致力于的，一直追求的。
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Yeah, so Frost is one of my favorite poets. I think Frost is interesting because he's a poet who is very popular
所以，罗伯特也是我最喜欢的诗人之一。我对他感兴趣是因为他很有名，
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This is really, I think, a radical if not heretical idea for the national poet of a Christian people.
我真的觉得这是，激进的，甚至是异端邪说,对一个基督教国家的诗人来说。
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Now, you might say, "I could be a poet and what does that have to do with finance?"
也许你会问,我想做个诗人,这跟金融有关系吗
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And if we wish to continue this analogy, and I certainly do, between the poet Milton and the virgin Lady, we can see that this is a release that John Milton the poet has been waiting some time for.
如果我们希望继续这个弥尔顿的诗与小姐贞操的类比，我肯定会，我们可以看到,这是弥尔顿的诗等了很久的一种解脱。
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I was about to tell you last time about the poet Hesiod, who lived in a little town in Boeotia to the north of Attica.
上次我讲到,住在阿提卡北面小镇皮奥夏的诗人,赫西奥德
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Reference he makes to a comic poet yes a comic poet an unequivocal reference to the playwright Aristophanes whose name I have put up on the board.
他提及一名喜剧诗人，没错,一名喜剧诗人，且是毫不含糊的,提及喜剧作家亚里斯多芬尼斯,我也有把他的名字写在黑板上。
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In the second poem here, "I Looked Up From My Writing," the poet, the first person, is being interrupted at his desk at night.
在第二首诗中“从我的写作中来看“,诗人也是第一人称，夜晚在书桌前被打扰。
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By becoming a poet for all sorts and kinds, Frost intends, as he says, to arrive "where I can stand on my legs as a poet and nothing else..."
通过成为所有类型的人的诗人，他想像他说的,“在他站立的地方都被尊称为诗人而不是其他“
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This is a kind of meta-literary allegorization that I'll be performing here: you could also think of Milton the poet as being stuck at this same juncture.
这是一种元文学的语词新作,我现在会开始展示，你们也可以思考一下,诗人弥尔顿也在同样的时刻陷入僵局。
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Nonetheless, the fact that he attempted to be a poet, I think, is important here.
尽管如此，他想做一个诗人这个事实，我认为是很重要的。
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You'll remember that I mentioned several minutes ago that Milton appears -- literary historians, I think, have rightly seen the Milton who had written Lycidas as a different figure than the poet before having written Lycidas.
你们还记得我刚刚说过,精通文学的历史学家们，恰恰把写出了的弥尔顿,看作和之前的弥尔顿完全不同的一个人。
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Hesiod, whom I have not mentioned to you before, a poet who we think to have lived around 700 B.C., very early in the history of the polis, wrote one of his poems called, Works and Days.
赫西奥德,我之前跟你们提到过的,是一个生活在公元七百年左右的诗人,那还是在城邦历史的初期,创作了一首名为《工作与时日》的诗歌
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don't you doubt me there. I want to be a poet for all sorts and kinds.
不要在这点上怀疑我，我希望能写所有人都能接受的诗歌。
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For all of Yeats's reactionary moods, even for his indulgence in nostalgia here, he's not a nostalgic poet. And this poem I think shows us what I mean by that.
尽管他有保守的心态，此处也是沉浸在回忆中，但他不是个怀旧诗人,这首诗正表现这点。
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There's a sense that in this memory the poet somehow saw the name-- presumably, I suppose, saw it on a signboard in the station, as you roll into the station and you see where you are.
在这种记忆中诗人不知怎么地-,我猜想他在看这个题目的时候，是在火车站的布告板上看到的，当你们涌进火车站看自己在哪的时候。
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Frost says at the time that he's publishing A Boy's Will, to a friend: You mustn't take me too seriously if I now proceed to brag a bit about my exploits as a poet.
他在发表第一本书时对一个朋友说：,不要对我太认真,如果我现在吹嘘自己已是一位诗人。
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It's as if Milton is saying, "Look at me. I may be a poet. I may actually -I'm simply writing a pastoral poem, but I'm actually doing something in the world.
正如弥尔顿所说的，“看着我，我或许是一名诗人“,或许只是写着一首诗，但我的确在做着一些事。
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Professor John Rogers: For a vast number of complicated reasons, Milton has invited for 350 years now a uniquely violent and I do think it's a violent response to the particular question of his value as a poet.
约翰·罗杰斯教授：350年来，由于很多复杂原因，对于米尔顿作为一个诗人到底有何巨大意义,人们的反应一直都很激烈,我确实认为是很激烈的反应。
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or nymphs and satyrs than you or I know and later urban poets - and Theocritus was an urban poet -later urban poets like Virgil or Milton knew even less than Theocritus, we have to assume.
的森林之神），忒奥克里托斯知道的不比你我或是后来的,都市诗人多--忒奥克里托斯就是个都市诗人,-后来的都市诗人像维吉尔和弥尔顿,我们得假定，对这些知道的就比忒奥克里托斯还少了。
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