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Yes, this, too, is an utterly regular iambic pentameter line: unstressed syllable followed by a stressed syllable, five in a row.
是的，这是个典型的抑扬格五步格诗：,不重读的音节后面一个重读的音，五个成一行。
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Milton wrote his epic in lines of unrhymed iambic pentameter or what we call, and what Milton would have called, blank verse.
弥尔顿的史诗由不押韵的抑扬格五音步诗句写成,我们，还有弥尔顿都称其为无韵诗。
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But by the time we finish the end of that line, we are really right in the middle of very regular iambic pentameter.
但当我们读完这一行的时候，我们才真正进入了正常的抑扬格五步格诗。
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Up to this point in literary history, only verse written for the theater had been written in unrhymed lines of iambic pentameter, in blank verse.
文学发展到那时候，只有为戏剧写的诗,才会用不押韵的抑扬格五音步，即无韵诗。
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The primary metrical pattern in Frost is the primary metrical pattern in English poetry, which is to say blank verse or unrhymed iambic pentameter.
弗罗斯特基本的诗歌韵律,是英国诗歌的基本韵律，也就是无韵诗或不押韵的五音部抑扬格。
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Milton is alerting us to the significance of the word "first" in the very first line, in this wonderful act of violating the laws of iambic pentameter.
弥尔顿在第一句就促使我们注意到“,“初/先“一词的重要性,不惜违背了抑扬格五音步诗的格律。
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How many of you know what iambic pentameter is?
你们有多少人知道抑扬格的五音步格诗？
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Knowing what iambic pentameter is, is not a gift of birth, but rather something that comes through a little bit of practice, which means we have to work at it a little bit.
没有谁是生来就知道抑扬五音步格诗，是需要努力才能知道的，这说明我们必须在这个上面花点功夫。
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And if you repeat them five times, you have pentameter.
如果你重复五遍，会得到五步格诗。
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He addresses instead the English language: "Hail native Language," Milton begins, and then he proceeds to set out in his heroic couplets of iambic pentameter a map for his future career as a famous poet.
反而写了英语这门语言：,开头写道，“为本土语言欢呼吧“,然后继续写他的五音部短长格对句,这是著名诗人对未来事业的规划。
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Blank verse is unrhymed iambic pentameter.
无韵诗是不押韵的抑扬格五步格诗。
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In fact for readers of Paradise Lost, and this has been an experience now for a few hundred years, it does often seem as if there were some mysterious life force, a pulsating through Milton's dense and driving lines of unrhymed, iambic pentameter.
实际上，《失乐园》的读者们，几百年来一直都有这种体验，确实，似乎真有一种神秘的生命力，一种脉搏，贯穿在弥尔顿密集，强劲，没有韵律，长短不一的五音步格诗之中。
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And yet, it's also important for reading Pound and for reading Eliot and for reading Moore, who sound the way they do partly because they make a point of not writing pentameter, the meter that Frost often, but not always, chooses.
也对于阅读庞德和,艾略特，莫尔的诗歌很重要，他们听起来是做到了一部分,因为它们提议不要写五音部格诗，这种形式弗罗斯特很常用，但不是总用到。
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