As with the passage on the falling of the leaves there's a kind of elegiac tone that works to undo, or at least to challenge, our theological certainty.
在描写落叶的段落里,有一种挽歌式的腔调,似乎要抹掉,至少是挑战神学上的确定性。
So, one plus three is four, four sixths, which leaves two sixths, or one third.
加上3是4,六分之四,还剩六分之二,也就是三分之一。
Homer and Virgil and, well after them, Dante and innumerable others have all applied the simile of the leaves or some version of it to describe the numberless-ness of the dead.
荷马,维吉尔,在他们之后还有但丁,以及无法计数的曾经用过这个落叶比喻,或者变种版本来形容死者的数量极多的其他诗人们。
This leaves us with 24 minus 18, or 6 bonding electrons left.
这使得我们有二十四减去十八,也就是六个成键电子。
When it cuts it leaves sticky ends or un-base paired single stranded regions on each end of the part its cut and that's just a property of many restriction enzymes; not all, some cut blunt,just right down the middle.
它切割后会留下两个粘性末端,或者未配对的单链部分,这是许多限制性内切酶的特性,但不是全部,有些限制性内切酶是从中间钝切的
It is a bleeding or spilling into successive signs in such a way that it perpetually leaves what Derrida calls "traces." That is to say, as we examine the unfolding of a speech act, we see the way in which successive signs are contaminated.
它渗入或涌入一系列符号之中,并且永恒地留下了德里达所说的,“痕迹“,也就是说,如果我们研究言语行为,我们就能看到连续的符号被污染的方式。
And what happens in these experiences is that your soul leaves this room and goes into a second room, the room of the next world or the next life, but for various reasons, isn't allowed to stay in the next room.
而在这些经历里发生的就是,你的灵魂离开这个房间,到达第二个房间,代表另一个世界或来世的房间,但出于各种原因,你的灵魂不能留在另一个房间里
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