So at this point in the story-- at this level in the story, if you will, I've touched one, two, three, four numbers total or I've made two comparisons.
那么这时,我总共已经动过了1,2,3,4个数字,或者说我做了两次比较。
So they'd be going along in this fashion let's say it's duple- one-two, two-two, three-two, four-two.
于是他们便这样做,如果是二拍子的,那就是,一-二,二-二,三-二,四-二
We are able to talk about the fact that two plus one equals three, but it's not as though we ever come across numbers-- number three itself--anywhere in the empirical world.
我们可与去探讨,二加一等于三的这个事实,但是我们不可能有一天真的碰到数字,在现实世界中碰到个叫"数字三"的东西
You can see them in the sopranos and altos up there and they just sit there on that pitch--a long note: one, two, three, four.
你可以在高音与中音区看到他们,而且他们一直留在那个音高上,一个长音符,一,二,三,四
We can take a particular-- Here I'm conducting in three: one, two, three, one, two, three, one, two, three, one, two, three, one, two, three, and obviously I'm accelerating there.
这里有个例子,我指挥三拍子,一二三,一二三,一二三,一二三,一二三,显然的,我在这里加速了
Okay. I can't read it but two minutes and fifty seconds, two minutes--this one's only two minutes, three minutes and twenty seconds, that kind of thing.They're short, whereas Beethoven,as mentioned,is much longer.
好,我读不出但是它唱2分50秒,两分钟,这首歌只有两分钟,3分20秒,基本都是这么长,它们都很短,但是我们刚才说的贝多芬就要长的多。
We all do believe something makes it true that two plus one equals three, but it's not the fact that empirical objects-- We don't do empirical experiments to see whether two plus one equals three.
我们都相信有些东西,使2加1等于3是正确的,但这不是说现实的东西,我们不会在现实中做实验,去看看二加一是不是等于三
Is--okay. One,two. This is not--okay,three.
好,一个,两个,看上去他不太,好,三个。
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