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The repetition of "breast" links them, makes us see them together, side by side, one on top of the other.
胸脯一词的重复连接了他们，让我们看到圣与人之结合，一起，重叠着。
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The poem makes us see the political as a space of passion and of contradictions, like art.
此诗让我们看到,政治，充满激情,充满矛盾，就像艺术一样。
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It's one of the parts that makes us, that goes up into making us up, goes into making us up.
灵魂是组成我们的部件之一,它帮助构建了我们,它构建了我们
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That doesn't negate that, but in some ways it brings up the specialness of other things and makes us feel a part of that.
上面的观点不否认这一点，同时却注意到了其他事物的特别之处,并让我们感受到是其中的一部分。
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It's quite striking and it helps you to reflect on what makes us behave the way we do.
这是很震撼的,促使你反思,是什么使我们冷漠地无动于衷
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In other words, it makes us pause over what we're reading.
也就是说，它使我们在阅读的时候停下。
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Another question having to do with development is what makes us the way we are?
与发展有关的另一个问题是,什么让我们成为了如今的样子
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It is a reason or speech, not instinct, that makes us political.
是理法或辩论能力而非本能，使我们具有政治性。
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He is not a gentleman. But how magically his singing violin can conjure up a tendresse, a compassion for Lolita that makes us entranced with the book while abhorring its author.
他不是绅士，但神奇地他的小提琴声,能召唤出对Lolita的宠爱和同情,那让我们对这本书着迷，同时却在憎恨着作者。
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He is getting us out of that Aristotelian rut and moving us back to something that makes more sense.
他将我们从亚里士多德的规律,并将我们带回到,更有道理的规律。
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It makes us think about black artists playing for a living in Prohibition Era back rooms.
它使我们想到在禁酒令时代的小密屋里,那些演奏谋生的黑人艺术家。
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What is it that makes us uniquely human?
什么使我们人类不同于其他生物的呢？
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It is speech that makes us political.
是因为辩论的能力让我们具有政治性。
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We don't know what makes us laugh.
我们不知道是什么引起我们笑。
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In the aftermath of Darwin in particular, our understanding of natural selection, our understanding of genetic hard-wiring and other factors, makes us begin to wonder in what sense we can consider ourselves, each of us, to be autonomous subjects.
特别是继达尔文之后，我们对于自然选择，基因和其他因素的理解，让我们开始思考在哪种意义上我们每个人，可以把自己视为有自主性的主体。
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While modern poetry in many of its forms strives to master reality, Auden reminds us, there on your handout, cautiously, that poetry makes nothing happen.
当现代诗歌以其各种方式极力想要操控现实时，奥登提醒我们--这在你们的讲稿上有，要小心诗歌会让人们一无所有。
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How the human mind works, how we think, what makes us what we are.
人类大脑如何运作,我们如何思考,又是什么让我们变成了现在的样子
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Well, now maybe the important thing is to allow Brooks to comment on that so that you can see how he makes use of Freud's idea and move us a little bit closer to the application of these ideas to the structure of a literary plot or of a fictional plot.
现在最重要的事是允许布鲁克斯对此加以评论,这样一来你们就能看到他是怎样运用弗洛伊德的观点,并且进一步将其运用于,文学情节或小说情节的结构中去。
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Many of us think that given the valuable and precious thing that life is, suicide makes no sense.
许多人认为生命被赋予了有价值的,珍贵的东西，自杀是毫无意义的。
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In other words, the text is what makes the ascertainment of meaning possible and available to us, but meaning is not in the text.
换言之,作品才是使含义得以传达的必要条件，但含义又并不在文本里。
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Why is it worth it to him to take that risk? What's he trying to teach us about narrative and about language that makes it worth this risk?
为什么这值得他承担如此风险呢，关于叙述文章,和让这些风险值得语言，巴斯到底想教会我们什么呢？
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