I alone of English writers have consciously set myself to make music out of what I may call the sound of sense.

我自己作为一名英国诗人有意地,在我称作感性的声音中写出音乐感。

耶鲁公开课 - 现代诗歌课程节选

How do we make-- How do we get triple arrangements in music?

那我们怎么做到--,当我们需要三倍方式的安排时怎么办

耶鲁公开课 - 聆听音乐课程节选

So how do you make that work as music?

那么,要怎样用音乐表现画面呢

耶鲁公开课 - 聆听音乐课程节选

You can go buy a score of the Beatles, for example--although they didn't design this initially with music, but after the fact,people sort of listen to it and make written-- put in written form what had originally been just an aurally conceived artistic statement.

你完全可以去，比如说买一些披头士的乐谱，但是他们当初写歌的时候并没有想用乐谱的形式传播，事实是人们听了他们的歌，再把它们写下来-,人们只是把一项为听觉设计的艺术品用笔记录下来。

耶鲁公开课 - 聆听音乐课程节选

I want to make one other point before we launch into that, and that is the following: that composers use the rate of harmonic change-- whether it's changing or not changing-- to sort of make us feel different ways about the music that we are listening to.

在此之前我还要说一个问题，不管和声有没有改变，作曲家都能通过和声改变的频率-,让我们对所听的音乐有不同的感受-,它能让我们感受到这段音乐。

耶鲁公开课 - 聆听音乐课程节选