• I'm going to do that at the end for this reason: that it has such a special place in the imagination of our culture.

    但是现在我放到最后讲是因为:,它在提供我们文化的想象力方面地位如此特殊。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • In the imagination of white Southerners there were a lot more Haitian rebels coming into the South than actually ever got here.

    在南方白人的想象中,来到南方的海地反叛者,比实际上要多得多

    耶鲁公开课 - 美国内战与重建课程节选

  • But nonetheless, in the imagination, in the imaginaire, in the mental construction of these two countries, what we are not, that is Catholic, helps define their identity.

    然而,在精神层面上,在精神体系的创立上,这两个国家的身份认同感,受到他们所否定的观念,即非天主教观念的影响

    耶鲁公开课 - 欧洲文明课程节选

  • This is the realm of that mountain of imagination that I was showing you in the passage from Good Readers and Good Writers.

    这就那想象力的巅峰,我曾在《好的读者和好的作家》,中向你们展示过它。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • You have to find out what "pulls up" means in the same way that the adult reader of Pleasures of the Imagination has to find out what "plastic" means.

    我们得找出“停下来“究竟是什么意思,正如读《想象的愉悦》的大人,需要找到“塑料“的意思。

    耶鲁公开课 - 文学理论导论课程节选

  • And in conclusion he imagines giving up that terrific drive towards imagination and idealization and a return to the "rag and bone shop of the heart."

    结尾时他想象,放弃这一想象力和理想化的,极妙的创作驱动力,回到污秽的心的废品铺“

    耶鲁公开课 - 现代诗歌课程节选

  • The idea that emerged the memory of the '81-82 recession is very strong in our imagination because we think that it was caused by lax monetary policy by liberal thinking by the soft-hearted liberals who just didn't want to create any pain and suffering.

    出现的观点,在我们的想象中,81-82年的经济衰退很严重,因为我们认为它是由于,松懈的货币政策,不拘一格的思想,那些仁慈的不想制造任何痛苦和疲劳的,自由主义者引发的。

    耶鲁公开课 - 金融市场课程节选

  • So, we have a kind of image there of the autonomous aesthetic pleasure, right, the pleasure of imagination that's taken alone, according to one's own thoughts rather than in some broader, more social form.

    好了,这就是一种自发的美学享受的情景,对,这就是独自幻想的乐趣,它出自人自己的想法,而不是一些更宽广的概念,不是一些更社会化的形式。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • The action of the poem takes place in Yeats's imagination.

    诗在诗人的,想象中发生。

    耶鲁公开课 - 现代诗歌课程节选

  • But Manifest Destiny was in some ways the fuel of the American imagination.

    但是命运天定在某种程度上,丰富了美国人的想象力

    耶鲁公开课 - 美国内战与重建课程节选

  • But also, there is this sense of imagination, and you get that in the dreaming waters; you get that in the sense of travel or the image of the road that you can see in the green and red vegetables stretching away in their rows to the bright horizon.

    但其中也有想象,从“如梦如幻的河水“你可以感受到;,从旅行的感觉或路的形象可以看到,从“一排排红的绿的蔬菜,在阳光下延伸得又直又长直到闪耀的地平线上“,可以看到。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • The mother has her own way of using words for power, and she does it by making the kitten live again in his imagination.

    同样凭借语言,母亲让死猫在理查的心中复活。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • The subject matter itself becomes the dominant device, and it implies in your imagination a way to construct it, but the way to construct it is not the dominant.

    但是在奥布莱恩的文章里,主题被首先给出,主题占支配地位,在想象中引导你构建情节。

    耶鲁公开课 - 文学理论导论课程节选

  • So if the landscape invites him to grow as an imaginative person, the social world he lives in, this episode signals to us immediately, will never live up to that imagination.

    假如生活氛围使他,成为一个充满想像力的人,那么他所处的社会就是这一时期,这会让我们马上感到,那种想象永不可能成真。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • In the eighteenth century, a poet named Mark Akenside wrote a long poem called The Pleasures of the Imagination, and in this poem there is the line "The great creator raised his plastic arm."

    在十八世纪,一位名叫马克?阿肯赛德的诗人写了一首长诗,叫《想象的快乐》,诗中有一句是,伟大的造物主举起了他的plastic的手臂“

    耶鲁公开课 - 文学理论导论课程节选

  • If in the catalog imagination is awakened, this is what it can then do for Richard.

    如这里出现了幻想,这是理查的缘故。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • There are at least two varieties of imagination in the reader's case, so let us see which of the two is the right one to use in reading a book.

    读者至少有两种不同的想象方式,所以让我们来看看,哪一种,适合读书。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • For Stevens, when modernity takes away God what it does is unveil the poet's Godlike powers, a power to create the world through imagination, imagination which created God in the first place.

    对他而言,当现代性取代了上帝的地位,它所起的作用就是解释诗人所有的神明般的力量,这是一种在想象中重塑世界的力量,这种想象最初创造出了上帝。

    耶鲁公开课 - 现代诗歌课程节选

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