This is the verse form, you'll recognize it, in so many of the long speeches of characters in the plays of Marlowe and of Shakespeare.
这就是你们经常在马洛和莎士比亚戏剧中的,角色的大段独白中看到的诗体。
I study speech, I study speeches, and if I do so, and if I keep thinking about it in a variety of ways, all sorts of frameworks jostle for attention.
我就必定要研究话语,如果我想要从尽可能多的角度研究它,那么各式各样的的语言结构令我眼花缭乱。
This was important to Milton, - and one of the big set-piece speeches in Paradise Lost -- - and you may remember it if you've read that poem -- is the hymn that begins "Hail, wedded Love."
这对弥尔顿来说是至关重要的,在《失乐园》中有一个让人印象深刻的片段-,如果你们读过那首诗也许还记得-,那是一首赞美诗,以“致敬,已婚的爱情“开头“
In other words, I'm arguing that the saturation of these speeches with signs of words, language, speaking, words, books, is just the dilemma of the character.
换言之,我认为这些演讲之所以会充斥着,字词,语言,言论和书籍,其实只是一种进退维谷的困境。
The speech is more than just a pious bit of optimism like a lot of the speeches, in fact, that the other brother has given us.
不同于戏中弟弟的很多演说,哥哥的这段话不是虔诚于贞操而盲目乐观。
He is full of a kind of understandable self-pity, and his speeches are in some ways more characteristic of the gloomy intellectual milieu that is reflected in Chekhov's text really than almost anyone else's.
他身上有种合理的顾影自怜感,而在契诃夫的原文里,他的言论差不多是,最典型地反映当时晦暗的社会思想环境的。
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