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Haze In Haze's case, he does this over and over and over again.
对于，他已经不知道多少次这样了。
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There is a vagueness to this language that I think is quite calculated, and it relates, in Haze's case, to his determination to not be converted to evil, but to nothing.
他的语言有种刻意而为的模糊感,对他来说，这与他不向罪恶堕落，宁可选择虚无的决心有关系。
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If Haze is busy looking at something, what he's looking at is manifestly not the person in front of him.
如果当时Haze的目光,正专注于什么，那也显然不是面前的这个人。
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Remember when Haze and Enoch are in the middle of the park at the swimming pool. Enoch's hiding in the bushes, spying on the women.
请记住，当海斯和阿纳克在公园中,的游泳池中，阿纳克多在灌木丛中，盯着那些女人们。
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This is after the man from the filling station has given Haze some gas and not charged him for it, a very unusual act of kindness in this novel.
这是在一个加油站男人给了海斯一些汽油后,且没有向他要钱，这是在这部小说中非常少见的善行。
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Haze poked his toe in his side, and he wheezed for a second and then was quiet. "Two things I can't stand," Haze said, "a man that ain't true, and one that mocks what is. You shouldn't ever have tampered with me if you didn't want what you got."
海斯把他的脚放在他身边，他喘息了一秒,之后便静了下来，海斯说，有两件事是我所不能忍受的，不诚实的人，嘲笑他人的人，你本不该,碰我的东西，如果你不想要得到什么“
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The last thing I want to point out, in this passage from here to the end of the chapter, is the way that Haze's senses are described.
对于这段文字，从这里到本章末,我想指出的最后一点是：,描述Haze感觉的方式。
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This is Mrs. Hitchcock in the train; it's Haze bumping into Mrs. Hitchcock: Going around the corner, he ran in to something heavy and pink.
就是Haze在火车上;,碰见Hitchcock太太的地方：,“Haze转过角落时，撞上了一块笨重的粉红色物体。
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We saw a version of this also in the passage I was reading just before, where "a hand" comes in the window and rests- "lands"--on Haze's shoulder.
在我刚刚读过的片段中,也有这样的情况，就是“一只手“伸进了车窗-,“放置“在了Haze的肩膀上。
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Haze and the car shot backwards because the man had left it in reverse.
松开刹车，He，took，the，brake，off,那车忽然向后退,因为那男人之前给车挂了倒车档。
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Now this is where the omniscient narrator comes in quite forcefully, and gives us something to work on as we analyze Haze and we think about who he is as a character and where he finds himself.
万能的叙述者就这样,富有说服力的出现了，同时在我们分析Haze的时候,给我们带来了问题,让我们去想这个角色到底是谁,他在哪里发现自己。
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Here that omniscient narrator, as when that narrator looks in to Haze's mind, offers you a reading of the sky and its separation from the minds of the characters that suggests, or makes you look for, kinds of structure.
在这里，万能的叙述者读解Haze的内心时，给了我们关于星空的注解,角色们迥然不同的想法,暗示了我们，或者说使得我们，去寻找一种结构。
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