Now this on page 2. This is how he talks: All this time Dean was telling Marylou things like this.
这是在第二页,他这样说:,一直以来安总是对玛丽露说些这样的话。
And he keeps talking about how he just wants to sleep forever, that he doesn't want to go to work,
他不停地抱怨自己老是想睡觉,根本不想去上班。
All right, and he came up with a scheme, and this is how he ranked things.
所以,他提出了这个观点,这就是他如何对元素进行排列的。
He invaded and he was clobbered, and then you read the splendid story Herodotus tells of how he was captured.
他大举入侵波斯,但惨遭重创,接着,你就读到希罗多德,讲述他如何被俘的故事了
And this is how--on 179 and 180--this is how he images a way out of himself.
这也是他如何想象--在第179和180页,想象怎样摆脱自己的方式。
Instead he develops a highly intricate theory of how he's going to use slavery to save black people.
但他发明了一套非常复杂的理论,是关于如果通过奴隶制解放黑奴的
How he went to India in 1959 and was blown away by the religious diversity of India?
他如何在1959年抵达印度9,并受到印度宗教差异性的强烈影响?
And the second story you remember from your reading of the book was his telling, reminding the jury how he refused to participate.
第二个故事是,他在这本你们必读的书中所述,提醒了陪审团他如何拒绝。
He had a little electrical thing just on— I don't know how he thought to do this.
将一个小型的电极插在,不知道他是怎么想到要这么做的
That's how he behaves.
因为他的言行举止就是如此
Well, now maybe the important thing is to allow Brooks to comment on that so that you can see how he makes use of Freud's idea and move us a little bit closer to the application of these ideas to the structure of a literary plot or of a fictional plot.
现在最重要的事是允许布鲁克斯对此加以评论,这样一来你们就能看到他是怎样运用弗洛伊德的观点,并且进一步将其运用于,文学情节或小说情节的结构中去。
You'll want to think about why Milton seems so aggressively to invite the association of the failure of the just revolution of the Puritans, and of course that's how he would see it, with the failure of the unjust revolution of the rebel angels under the guidance of Satan.
弥尔顿如此迫切的将清教徒的正义革命之失败,与我们所认为的撒旦领导下的叛乱天使们的,非正义革命之失败联系在一起,我们会疑惑他为什么要这样做。
And we were talking about how he wants to find ways to sort of fix and make better the,
我们谈论的是,他想用什么样的方式来提高教育,
It sort of mapped out his progression on how he became a director, his thought processes.
它展现了他如何成为导演的过程以及他的思想发展。
So far, I've been stressing a kind of anti-Romantic side of Frost, how he seems to be saying, "Nothing but the facts, please."
到现在我一直强调的是一个反浪漫主义的弗罗斯特,他像是说着“除了事实没有其他的“
Now, there are two stories about Joule and how he came to this insight.
现在关于他如何得到这个想法的,有两种不同的说法。
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