In a way, what Coleman does is write his autobiography, a fictional autobiography, in the very process of living it.

从某种意义上讲，Coleman在写自传，虚构的自传，同时他也在经历这些情节。

耶鲁公开课 - 1945年后的美国小说课程节选

I'm also starting up a Quidditch team at NYU which is a fictional sport in Harry Potter,

我也在纽约大学组建了魁地奇球队，在《哈利•波特》里面这是个虚幻的运动，

和戏剧专业的朋友 - SpeakingMax英语口语达人

They have a substantial reality within the fictional context, the mimetic context, of this epic. These are angels.

他们在这篇史诗虚构的模仿得来的，内容中具有极大的现实意义，他们是天使。

耶鲁公开课 - 弥尔顿课程节选

So Roth imagines lived life as fictional in the same register as a novel, in the same register as an autobiography.

所以罗斯想像过的生活就像小说中记录的那样，一如自传所述。

耶鲁公开课 - 1945年后的美国小说课程节选

Well, now maybe the important thing is to allow Brooks to comment on that so that you can see how he makes use of Freud's idea and move us a little bit closer to the application of these ideas to the structure of a literary plot or of a fictional plot.

现在最重要的事是允许布鲁克斯对此加以评论,这样一来你们就能看到他是怎样运用弗洛伊德的观点,并且进一步将其运用于,文学情节或小说情节的结构中去。

耶鲁公开课 - 文学理论导论课程节选

One of the most famous, Hector St. John de Crevecoeur, who in his famous fictional letters, Letters from an American Farmer, he invented a character, if you've ever read that great text, called Farmer James.

其中最著名的一位是,J·赫克托·圣约翰·克雷夫科尔,在他的著作,《一个美国农民的信》中,他创造了一个形象,如果你读过这本书,农夫詹姆士

耶鲁公开课 - 美国内战与重建课程节选

It's interesting that Milton certainly begins this headnote with suggesting directly to us that it's Milton speaking and not a fictional uncouth swain.

弥尔顿在开头就清楚明了的告诉我们,在吟诵诗歌的人是他，而不是某个粗鄙的年轻人,这非常有意思。

耶鲁公开课 - 弥尔顿课程节选