In fact nowhere else do we see Milton literally bursting out at the seams as he seems to in this poem.
其实弥尔顿在别处也没有,像在这首诗中一样离经叛道,完全爆发。
But also just that you have created space on this campus for good conversations about what do we value. -Yes.
除此之外,在校园里,您为学生提供了一个,有关价值观的对话的空间,-是的。
OK, so do we know anything so far that we can point to that would give us a departure?
好,到目前为止我们能在我们了解到的,东西中找出一些违背这些规律的例子吗?
If open course becomes a real movement, then how do we allow people to navigate across different open course platforms?
如果形成了开放课程的浪潮,我们如何让人们在不同的,开放网站的平台中浏览我们的网站?
What do we make of these allusions to divine colleagues or subordinates in light of Kaufman's claims regarding biblical monotheism?
参照考夫曼的一神论主张,我们如何理解这些暗示?,他们的地位等同于,还是次于上帝?
Later in the term, we'll spend part of a lecture talking about, how do we find such a test suite?
在晚些时候,我们会话一节课的部分时间,来讨论这个话题,我们怎么找到这么一个?
So if you had some number back in grade school like 123, well, why do we express this as 123?
在小学,像123这样的数,为什么我们要表达成123这样的呢?
So, seven asks us if we have any valence electrons left, and how many valence electrons do we have left?
那么,第七步问我们是否还有价电子剩下,我们剩下了几个价电子?
It has every relevance to psychology: Do we perceive reality, human nature as constrained or unconstrained will ultimately affect our psychology.
它与心理学息息相关:,我们认识了现实吗,对人类本性执不同观点,最终将影响我们心理。
Why 5,040, you may ask;do we have any mathematicians among us who will give me a quick answer to that?
你会问为什么是五千零四十个呢,在座的有没有数学家能快速给出答案
When we talk about what to eat, how do we get advice on this and where do we look?
当我们讨论到我们该吃些什么的时候,我们应该从哪儿以及如何获得参考建议呢
So how do we reconcile, if we can, these two apparently contradictory points of view ? in these two dialogues?
如果可以,我们要如何调解这两种,存在这两本语录中的明显矛盾观点?
How do we start to make a connection between what we hear and what things mean?
我们怎么能把我们听到的和它们的涵义,联系起来?
How do we go from that experiment to H the terms that we're trying to get, these slopes.
我们怎样从实验得到我们想要的量?,记住,我们想要得到Δ
Why do we have the Renaissance, the baroque period the classical period, the romantic period and so on?
为什么我们会有文艺复兴时期,巴洛克时期,古典主义时期,浪漫主义时期
How do we prove the existence of things we can't see or hear or taste and so forth?
我们如何能证明那些,我们无法依靠五感感知的事物呢
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