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The first creation story doesn't really contain puns and wordplays, it's a little bit serious. The second creation story is full of them: there are all sorts of little ironies and puns in the Hebrew.
第一个创世纪故事中很少有双关语和文字游戏，有几分严肃，第二个故事却充满了这些：,希伯来语中有许多反讽和双关。
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because creation is not about pushing, it's about just allowing the flow to come through you.
因为创意不是逼出来的，是让它自然流露。
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Finally, let's talk about the image of the world That emerges from the creation story in Genesis 1.
最后让我们来谈谈世界的景象,在《创世纪》第一章中所体现的景象。
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I think it's telling that this kind of creation is a failure; it cannot succeed in the confines of this novel.
我想这告诉我们这种创作是失败的;,它在这本小说的界限内无法成功。
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It's almost as if -- could this be? It's almost as if Milton wants to narrate the events of the Creation and the Fall with the same kind of firstness that Moses did.
这几乎是--可能么？，弥尔顿几乎是想,像摩西一样第一次讲述,创世纪和人类的堕落。
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There's an interesting set of politics that were involved in the creation of this pyramid that we'll talk about as well in a subsequent class, but this is the reigning version of the pyramid.
这个金字塔的建立,涉及了一些有趣的政治问题,我们将会在以后的课程中加以讨论,不过这已经是目前最流行的版本了
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Despite all of the--Mitterrand's plans for decentralization, and the creation of regional councils, basically France remains the most centralized state in Western Europe, and the role of Paris in French life does not have an equivalent in other European countries.
尽管密特朗计划在法国实施,去中央集权化并创立地方议会,法国基本上还是西欧,中央集权化程度最高的国家,巴黎在法国的地位是欧洲其它国家的城市,所不能比拟的
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Obviously, he drew upon all sorts of sources and predecessors but psychoanalysis is identified as Freud's creation.
显然，他利用了各种资源,还总结了前人的成果,但精神分析依然被认为,是由弗洛伊德提出的。
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There's a very similar Egyptian creation story Actually in which the god Ptah just wills "let this be."
埃及也有一个类似的创世故事,在这个故事中，上帝Ptahr，意愿仅仅是“就这样吧”
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Just this watery mass again. So it's creation undoing itself in some of the descriptions, as opposed to just heavy rain.
又变成了一个大水球,这里是自我毁灭，而不是毁于倾盆大雨。
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Some of these terms that he uses are literary climax, the creation of suspense so he's tracking this as if it were the development of a narrative.
用文学语言来概括的话就是,“高潮“制造悬念,书中的陈述不断进行。
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Now the story of creation in Genesis 1 takes place over seven days, and there's a certain logic and parallelism to the six days of creating.
创世纪》第一章中的创世在七天内完成，它和六天创世的故事在逻辑上有一些对照。
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He expressed his will that there be light, and there was light And that's very different from many Ancient Near Eastern cosmogonies in which there's always a sexual principal at work in creation.
他表达意愿希望有光，于是便有了光,这与古代近东的宇庙学解释有很大出入,在其中，创世过程中有性的因素。
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It's kind of interesting. God tells Adam before the creation of Eve that he's not to eat of the tree of the knowledge of good and evil that's in Genesis 2:16, on pain of death.
在《创世纪》第2章第16节，谈及死亡的痛苦时,上帝在没造出夏娃之前，告诉亚当,他不能吃智慧果。
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The great Milton, a grave author, brings in Adam thus speaking to Eve in Paradise Lost , "Oh, fairest of creation, last and best of all God's works."
伟大的弥尔顿，严肃的作家，在《失乐园》中,让亚当对夏娃如是说，“哦，最美丽的生物，上帝最后却是最好的作品“
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But the story as it stands reiterates a motif that we've seen before: that of the threatened destruction of God's creation, or God's people by chaotic waters, and of divine salvation from that threat.
但是这段故事不断的重读我们前面见到过的一个主题：,上帝子民被汹涌的水所威胁,人们不断从那些威胁中的到拯救。
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Second and significantly, not an afterthought, it's the peak of creation!
第二个重要的，不是事后才想起的，它是创造的高峰！
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Knowledge, all the arts and sciences, literature, all of the religious writings of the world are manifestations of that voice that at its origin is God saying, "Let there be light." It's the voice of creation.
只是，所有的艺术，科学，文学，所有世界上宗教的写作的开端,都是上帝的声音，让光明普照世界。
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Mulciber fell long before Homer because Mulciber fell long before the creation of the earth -- and it's Milton, and it's no other poet before Milton, who's finally able to set the record straight. Milton's insisting here that all of the pagan deities had originally been fallen angels.
莫西伯在荷马出世前就堕落了因为,他早在大地被创造前就堕落了，是弥尔顿，在弥尔顿之前没有别的诗人，能够最终印证这个记录，弥尔顿在这里坚持的是,所有异教神原本都是堕落天使。
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It's removal of the creation account from the realm and the world of mythology.
它去除了一些关于创世的描述,关于那些充满神奇的国度和世界。
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