And it's this final movement of the simile, according to this ingenious argument by Geoffrey Hartman, that Hartman calls the counter-plot.
根据哈特曼灵巧的论点看来,这就是这个比喻最后的深意,他称之为反计。
The rhetorical strategy that Milton uses to give us this perspective of eternity is what Geoffrey Hartman called Milton's counter-plot.
弥尔顿习惯于展现给我们的修辞性的手法,这种永恒的看法正是被哈特曼称为,弥尔顿的反策略。
This is a distinction which is not meant sort of counter-intuitively to suggest that somehow or another, as opposed to what we usually think, writing precedes speech--not at all.
这个区别没有在某种程度上故意地,与我们的直觉相反,暗示,无论如何,与我们通常想的相反,我们通常认为书写是在讲话之前的,完全不是这样。
So, I've never heard the click-click-click-click-click, and we might bring a Geiger counter in here some time later in the semester so we can check all of you out, and hopefully we won't hear any when we do that either.
但我知道如果,你听到哒哒哒的声音,就表明你有麻烦了,我从来没听到过哒哒哒的声音,也许以后我可以带一个,来课堂上检测你们每一个人,希望我们不会听到哒哒哒的声音。
He says: I have met them at close of day Coming with vivid faces From counter or desk among grey Eighteenth-century houses.
他说:,我曾在黄昏时遇见他们,他们离开柜台或写字台,脸上带着生动的表情,从18世纪灰黑的房屋里走出。
Now, who here wants to defend cost-benefit analysis from this apparent counter example?
现在,就这个明显的反例,有谁想为成本效益分析辩护?
Generally these are called over-the-counter contracts because they're not arranged through exchanges.
通常来说 它们被称为场外交易合同,因为这种交易是在交易所之外进行的
The trouble was,it seems the no branching rule seems very counter-intuitive.
麻烦在于,这无分支规定是很反直觉的。
The strings come in with a counter-idea, a complementary idea.
弦乐器表现对立的部分,一个互补的部分
And it's counter-intuitive to some extent.
在一定程度上这是反直觉的。
Through the dynamics of the counter-plot, the similes reassure us of what Hartman calls the "graceful coexistence of free will and divine providence."
从这个反计的整个催动力来看,这些比喻向我们再次确认了被哈特曼称为,“自由意志和神圣天意华丽的共存“的结合“
If Milton's true muse, or so he hopes or so he wants us to believe, has a Christian origin, then this counter-muse is unquestionably classical.
如果弥尔顿他望或想要我们相信,他真正的缪斯女神,有一个基督教的原型,那么这位与缪斯女神相对的人物毫无疑问是经典的。
The plot around the simile is glorifying the heroic Satan here, and Hartman ingeniously locates throughout a number of Milton's similes this same dynamic of a redemptive counter-plot.
这个比喻中的情节在这里美化了英雄主义的撒旦,哈特曼非常精明地在弥尔顿的大量比喻中,布置了同样的拯救性的反计。
It's a counter-weight to Frost's romantic longing.
这是弗罗斯特浪漫的希望的对立力量。
You could think of Medusa as Milton's counter-muse.
你可以把美杜莎看作是弥尔顿最重要的缪斯女神。
It seems very counter-intuitive.
这太过于反直觉了。
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