• These are such, sort of, cliched southernisms that you start to see this character as a caricature. He is very hard to see as a human being.

    原来的地方,这是典型的南方陈词滥调,你开始发现,这个角色的滑稽之处,他很难被当做是人。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • It never lost entirely its original character as an insurgent movement, independent of the state and hostile to it, making claims that challenge the secular authority.

    它从来没有失去充满,反抗精神的本原色,它独立于国家并与之格格不入,公然向世俗权威发起挑战

    耶鲁公开课 - 古希腊历史简介课程节选

  • Usually with just two, maybe three characters, a character that you can't really see as well on the screen, otherwise, so a new line character.

    通常需要两到三个字符,这些字符你们在屏幕上是,看不到的,这个是换行字符。

    哈佛公开课 - 计算机科学课程节选

  • Since he's a Yale guy, he probably thinks of himself as the Matt Damon character perhaps not, and failing that, he'd like to coordinate at the Bourne Ultimatum.

    因为他是耶鲁人,他把自己当成马特·达蒙扮演的特工了,如果不成,他就希望去看《谍影重重》

    耶鲁公开课 - 博弈论课程节选

  • Or, if he does, he's only there as a minor character.

    即使出现了,也仅仅是个次要的角色

    耶鲁公开课 - 死亡课程节选

  • How does she strike you as a character?

    作为一个角色她给你们留下了什么印象?

    耶鲁公开课 - 1945年后的美国小说课程节选

  • Starbuck This was the main character known as "Starbuck," who got transformed into a woman in the more recent one, a sort of example of how portrayals are shifting in interesting ways.

    这个是主角,被称为“,最近拍的那部,把这个角色变成了女人,这个例子就能有趣地说明媒体的描绘,总是变来变去的。

    耶鲁公开课 - 心理学导论课程节选

  • Most of it would present learning as the acquisition of associations, of skills and capacities that are external and not intrinsic to the human character, " to the human personality, to the person himself."

    大部分内容把学习展现为获得联想,技能和能力,这些对于人的性格,人的个性,人本身来说只是外在而并非本质的“

    哈佛公开课 - 幸福课课程节选

  • One way of thinking about the metaphor of city and soul together is to think of it as a particular kind of causal hypothesis, about the formation of both individual character and political institutions.

    思考城市与灵魂结合的方法,是将其想象成,是一种特别类型的,因果假说,关于形塑,个人性格与政治制度。

    耶鲁公开课 - 政治哲学导论课程节选

  • So it was a theme of the period and Freud's Beyond the Pleasure Principle contributes to this theme. Brooks himself likes to -- refer to the text of Beyond the Pleasure Principle as itself a master plot-- in other words as having a certain fictive character.

    所以不难发现,这就是弗洛伊德时期的一大主题,而那本《超越快乐原则》也就响应了这个主题,布鲁克斯,本人很喜欢引用《超越快乐原则》中的片段-,换句话说,就好像有一个虚构的角色。

    耶鲁公开课 - 文学理论导论课程节选

  • One of the funny things is that the emergence of this family farm gives rise to the polis' character as a land in which there is a citizenry, which is to say free men who rule themselves.

    有趣的是,家庭农场的繁荣,促成了城邦的兴起,公民制开始在这片土地上萌芽,即自由人享有自由的权利

    耶鲁公开课 - 古希腊历史简介课程节选

  • Now this is where the omniscient narrator comes in quite forcefully, and gives us something to work on as we analyze Haze and we think about who he is as a character and where he finds himself.

    万能的叙述者就这样,富有说服力的出现了,同时在我们分析Haze的时候,给我们带来了问题,让我们去想这个角色到底是谁,他在哪里发现自己。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • Now in fact, this may come as a surprise to you, I don't have ESP, I'm not a character out of the X-Men, so you can't actually see brain waves emitting from my head, and my reasoning doesn't affect your reasoning.

    事实上,这绝对是不可能的,我没有超能力,我也不是X-Men,所以你根本看不到我大脑发出的脑波,我的推理不会影响到你

    耶鲁公开课 - 博弈论课程节选

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