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So, that is something these writers share with modernism, but there is one big difference and I want to exemplify that for you just by reading to you two parallel texts, one from the modernist canon and one from the Beat canon.
所以，这就是这些作者和现代主义的相似之处，但其中有个很大的区别，我想通过举例来说明,我给你们读两段类似的文字，分别是标准的现代主义风格和垮掉的一代的风格。
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So, right now, I'm reading "The Histories" by Herodotus,
现在我在读希罗多德的《历史》，
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So this is our grade game, and what I'm going to do, since it's kind of hard to absorb all the information just by reading a paragraph of text, I'm going to make a table to record the information.
就是我们的成绩博弈,因为这么长一段文字,从中摘取信息有点困难,不如我们列表整理信息
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And, if you felt you were convinced by my reading of that iconography in these passages, then you want to think about why that's convincing.
如果你觉得我读的,片段中的形象很有说服力，那么你们去想想会什么会信服,作为读者。
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Suddenly, we have evidence, thirteen or fourteen hundred years earlier, that people were reading this stuff and, by and large, it's a pretty constant textual tradition.
因为突然间，我们有了证据，证明1200或1400年前就有人，读着这些经文而且总的来说，经文一直延续了其文本传统。
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Victor Frankl Instead after especially reading about paradoxical intentions by Victor Frankl, I started to give myself the permission to be human.
但在读过,有关“矛盾意向“的阐述后，我开始准许自己为人。
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I've been reading her psychology by looking at her brain waves and so forth and so on.
我一直通过脑波来研究她的心理状况。
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Brooks It's very interesting. Brooks's reading of "She Dwelt Among Untrodden Ways," the wonderful Lucy poem by Wordsworth, emphasizes the irony of the poem.
非常有趣,在对Wordsworth的诗“,《独自幽居》的解读中，就十分强调讽刺的运用。
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Power is something - and this is what we learn from a reading of John Milton - power is something that is created by a human process of deification, a process of king-worship or a process of God-worship or book-worship or a process, for that matter, of poet-worship.
力量是,-通过阅读弥尔顿我们就会知道,力量就是人们崇拜外物，不断将其神化的产物，这可能是对国王，上帝，或书本的崇拜,或者，就此而言，对诗人的崇拜。
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And if you come and ask a question that you could have easily answered by doing the reading, coming to lecture, or using Google, they're going to have less patience.
所以如果你过来仅仅是问一个,你能很轻松的,通过阅读、上课、或者，在谷歌上搜索就能得到答案的问题，他们会失去耐心的。
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And by that reading, it looks like consent is doing a whole lot and the limited government consent creates isn't all that limited.
这样解读的话，似乎同意的作用意味深远,而经同意建立的有限政府，也并不那么有限。
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Let's illustrate these general points by just reading together and trying to hear the beginning of Robert Frost's poem "Birches," on page 211 in The Norton.
让我们解释这个笼统的观点通过一起读诗,尝试去听罗伯特·弗罗斯特的诗“桦树“,在211页，诺顿。
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I found that he was inhibited by doing the reading because some are coming in and telling me about why do I have to do it.
我发现在做阅读时他很内向,因为阅读时会有人过来,告诉我为什么我要阅读。
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Probably the best book written on this, particularly on the language of the domestic slave trade, is Walter Johnson's book called Soul by Soul, a book-- I highly recommend you read it sometime in your reading lives.
也许有一本书描写这点最生动,特别是在记述国内奴隶贸易的语言上,是沃尔特·约翰逊所著的,《灵魂的灵魂》这本书,我强烈建议在你的读书生涯中加进这本书
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It can be understood as a source of new-found authority, of the freedom of one who has been characteristically not free and can be received by a reading community in those terms.
这可以被理解为一种新建立的权威和，一个特性上不自由的人的自由的源头,同时也可以被看做在这些领域里的一个阅读区。
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But abruptly, fiendishly, the tender pattern of nudity I had adored would be transformed into the disgusting lamp-lit bare arm of a man in his underclothes reading his paper by the open window in the hot, damp, hopeless summer night.
然而突然，糟糕得很，我崇拜的那副美好的裸体,投入了台灯下一双男人赤膊的肩膀，他穿着内衣裤,读着报纸，靠在敞开的窗边，沉浸在,炎热，潮湿，绝望的夏夜里。
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Obviously Tony the Tow Truck points a moral and so would be subject - to a kind of devaluation on those grounds by the New Criticism-- even though there are ways of reading Tony, as I've been suggesting, New Critic-ally.
显然《搬运车托尼》提供了一个道德的标准,新批评派对其,不会有很好的评价-,虽然，我也说过，从新批判派的角度阅读《搬运车托尼》
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So, last time I gave a reading of the creation accounts that are in Genesis 1 to 3. These are two very different stories but their placement side by side suggests the possibility of a joint reading. Nevertheless they are very different in character and today I want to focus in on the second creation story.
上次我们读了《创世纪》一到三章中,关于记述创造的，两个不同的故事,尽管他们是不同的两个故事,却经常放在一起阅读,今天，我会着重介绍第二个故事。
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The book has to be tested. It has to be tried by the public, by a reading public, before it can be censored.
这本书必须检测，它必须被大众检测，在它被控制之前。
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And you saw some of the beginnings of an explanation offered in the reading by Schick and Vaughn.
你们可以看到希克和沃恩在阅读材料里,对某个解释做了一个开头
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he text refers back directly to our own preconceptions--" -Gadamer would call those "prejudices"- "which are revealed by the act of interpretation that is a basic element of the reading process."
他说，“文本最直接地起源于先入之见“，He，says：，“…,葛达玛会称这些为“偏见“,“这些先见会在我们的理解行为中体现出来,这是阅读过程中的基本元素“
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Now as I mentioned, the title of this piece was originally A Mask Presented at Ludlow Castle, and it seems actually to have been known by the reading public by this title for a good hundred years or so.
现在正如我提到的，这部作品的标题,最初是拉德洛城堡里上演的《面具》,它似乎已经在好几百年前,就因为这个标题被广大读者熟知了。
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He's beginning to put aside all of those literary anxieties induced by his reading of Shakespeare, and it's as if he's more and more willing to use as a kind of literary assistant, or helper, Spenser: the great poet of holy matrimony and married sexual bliss.
他开始抛开那些阅读莎士比亚,得到的文学焦虑感，他似乎越来越愿意,使用斯宾塞作为文学助手，斯宾塞：,是神圣婚姻和婚姻性生活祝福的伟大诗人。
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