as we've seen, establishing a fiction that works to place himself at the scene of a nativity that obviously occurs 1600 years and change before his own birth.

我们也看到了，他创建了一个虚构的景象,把自己放进了基督诞生的幻景中,而这些比他出生早1600年发生并不断在改变。

耶鲁公开课 - 弥尔顿课程节选

The homeowner in this case tried to renew his subscription at the scene of the fire.

当时，这位房主,在火灾现场想要续订消防服务。

耶鲁公开课 - 公正课程节选

And finally at lines 108 through 131, we have Saint Peter, he of the pearly gates. Peter bursts onto the scene.

最后108到131行，圣彼得出现了，他掌管珍珠之门，彼得的出现很突兀。

耶鲁公开课 - 弥尔顿课程节选

The particular dialogue that we're going to reading,the Phaedo, is set at the death scene of Socrates.

我们要学习的这篇对话,斐多篇,就将场景设定在苏格拉底临死前的一幕

耶鲁公开课 - 死亡课程节选

We've gotten to this point now: we had this big dramatic scene at the Reed Sea, but the physical redemption of the Israelites is not in fact the end of our story.

我们现在得到一个观点：我们在Reed海这里,有了戏剧性的一幕，但是犹太人肉体上的救赎,在故事的结尾也没有出现。

耶鲁公开课 - 旧约导论课程节选

With the scene of the flight of the pagan gods at the nativity of Christ Milton is also depicting a scenario that, I think, on some level he's hoping will occur within himself.

在《圣诞清晨歌》中有一个无宗教信仰的人逃跑的画面,我认为弥尔顿同时也在描绘一个剧情，某种程度上他希望这样的事情也会发生在自己身上。

耶鲁公开课 - 弥尔顿课程节选

Further complicating the picture, Milton places this scene of observation with extraordinary care at the moment of evening.

为了使诗歌更复杂，弥尔顿把这个观察的场景,附加了更多的关注。

耶鲁公开课 - 弥尔顿课程节选