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If so,how many chords are involved in this chord change and are they changing at a regular or irregular rate?
是否有和弦的转变，这次和弦转变一共用了多少和弦,他们的变化率是规则还是不规则的？
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So because so much popular music and particularly rock music has those chords in root position we can track them more readily.
因为很多流行音乐尤其是摇滚乐会在原位上添加这样的和弦,这样听起来会比较悦耳。
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Well, the piano is just playing chords, playing them in octave successions, and we'll talk about that a little bit more too.
钢琴弹奏了和弦,一连串的八度音,这部分,我们今后也会继续探讨
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We're just going to watch and listen to--maybe even sing along with--the bass as he changes chords.
我们来听听看看，也可以跟着一起唱，看看低音是怎么与和弦一起变化的。
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If you ever hear music rocking back and forth repeatedly between two chords, it's probably tonic,dominant,tonic,dominant.
如果你听到音乐在两个属音里不断前后行进，这可能就是主音，属音，主音，属音。
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we've got this idea of major chords and minor chords so let me ask you this.
我们已经引出了大和弦和小和弦的概念,那么我要问你们
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And these tree trunks were the chords and at the base of each of these chords at least conceptually, theoretically, is this thing called the root.
这些树干就是和弦，而每个和弦的底部，从理论上说，就是被称为根的东西。
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So we have just two chords here, just changing back and forth between two.
这里面一共只有两个和弦交替出现，交替出现。
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So if you hear two chords rocking, it's probably tonic and dominant.
如果你听到有两个和弦，这有可能是主音和属音。
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So we've got four chords operating here and they're changing regularly.
这一段作曲家一共调用4个不同的和弦，它们不断有规则地改变。
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They seem to be going somewhere and there's this sort of force of pull or gravity in music having to do with some chords wanting to go to other chords.
和弦向某一个方向发展，就像有一股力量拉着它们,或者说音乐的重力吸引着它们，让一些和弦想行进成为另一些和弦。
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It was regular and it happened to involve four chords.
这是规则的，一共四组和弦发生了规则的改变。
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And how many chords were involved there?
这里面有多少和弦？
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Well,here's one other that you might not have thought of, and that is that most of the chords in rock music in particular tend to be root-position chords, and for that reason they're easier to hear.
还有另外一点也许大家还没有想到，那就是摇滚乐的主要和弦尤其倾向于变成根和弦，因此他们听起来也更加容易。
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We've talked about some of these already, having to do with the nature of the harmony-- that pop music tends to have simpler harmonies, and that those harmonies tend to be more repetitious, that they tend to have harmonies that have chords in root position.
我们以前说过，这个问题与和声的性质有关-,流行乐通常用较为简单的和声，流行乐通常用较为简单的和声，流行乐手也大多喜欢用原位和弦。
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Here's a group of sounds, different pitches and actually three different pitches in there, as opposed to just one pitch--one pitch, three pitches or three or four pitches, moving in different ways, kind of independent rhythmic chords, so that's the difference between monophonic, homophonic and polyphonic texture.
这是一组音,不同的音高,事实上三个不同的音高,相对于一个音高,一个音高,三个音高或四个音高,以不同方式运动,像有独立节奏的和弦,这就是单音,主音和复音织体的区别
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We've got some chords set out and we're going to-- we've got some chords set out here and we're in the key of C at this point, and we're going to hear Beethoven go to a tonic chord, then a sub-dominant chord, then a tonic chord, then a dominant chord and so on.
我们看到有一些和弦-,而我们现在在C调的位置上，然后听贝多芬的主音和弦，然后是次属音和弦，然后是主音和弦，接着是属音和弦，如此往复。
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So we can build triads on each of the members of the scale, and we said that some of these chords tend to be used a lot more than others, that the tonic is very important, the dominant is important, the sub-dominant right next to and below the dominant is important, and we're going to be talking about the VI chord today.
那么我们能够在音阶的各个音上建立三和弦，而且我们说过有些和弦将会比其它的运用更为普遍，基音，I和弦，属音，V和弦，都很重要，紧靠属音的下属音也很重要，我们今天就要讲讲VI和弦。
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