• What do we make of these allusions to divine colleagues or subordinates in light of Kaufman's claims regarding biblical monotheism?

    参照考夫曼的一神论主张,我们如何理解这些暗示?,他们的地位等同于,还是次于上帝?

    耶鲁公开课 - 旧约导论课程节选

  • Its difficulty lies in Milton's tendency in this poem to seek out what Dr. Johnson wonderfully calls remote allusions.

    诗的难点在于弥尔顿想要在诗中极力追求,被约翰逊绝妙地称为不切实际的幻想的倾向。

    耶鲁公开课 - 弥尔顿课程节选

  • Further, the significance of Moses is hinted at through literary allusions in the narrative of his birth, his infancy.

    而且,摩西的重要性也有被暗示,在对他出生和婴儿期叙述中。

    耶鲁公开课 - 旧约导论课程节选

  • Now the surest sign of a hurdle is one of those pointed literary allusions that Milton makes in Lycidas, one of those remote allusions that Johnson had complained about.

    如今关于这道坎的最确定无疑的迹象就是,他在里作出的那些文学臆想,即约翰逊曾经抱怨过的那些不切实际的幻想。

    耶鲁公开课 - 弥尔顿课程节选

  • So Israelite accounts of creation contain ; clear allusions to and resonances of Ancient Near Eastern cosmogonies; but perhaps Genesis 1 can best be described as Demythologizing what was a common cultural heritage.

    以色列的创世故事中包含了,对古代近东宇宙学明确的影射和暗示;,也许《创世纪》可以被描述为,对共同文化遗产的去传奇化。

    耶鲁公开课 - 旧约导论课程节选

  • is not to be considered as the effusion of real passion; for passion runs not after remote allusions and obscure opinions.

    不是真挚情感的流露;,真情不是通过遥远的幻境和隐晦的观点来表达的。

    耶鲁公开课 - 弥尔顿课程节选

  • Johnson tells us that Lycidas is not to be considered as the effusion of real passion, for passion runs not after remote allusions and obscure opinions.

    约翰逊说《利西达斯》不是,真挚情感的流露,因为真情不是通过遥远的幻境和隐晦的观点来表达的。

    耶鲁公开课 - 弥尔顿课程节选

  • It's difficult to imagine that as an expression of genuine grief over the death of a genuinely close friend would take the form of a poem so learned, so filled with remote literary allusions and obscure opinions.

    这首诗是为表达对挚友逝去的真挚悲痛,却采取了这样一种如此博学,如此充满,遥远的幻境和隐晦的观点的形式,这确实是难以想象的。

    耶鲁公开课 - 弥尔顿课程节选

  • It's the speeches of Comus far more than those of any other character that are filled with echoes and allusions to the great plays of Shakespeare.

    和其他角色相比,是Comus的讲话,有很多模仿和典故来自莎士比亚的伟大戏剧。

    耶鲁公开课 - 弥尔顿课程节选

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