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It's a religious image. It's also a gendered religious image; it's also an aesthetic image.
这是一个宗教场景，一个温柔的宗教场景;,也是一个具有审美意味的宗教场景。
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It is, in fact, a very deliberate and self-conscious repudiation of that late romantic aesthetic that Yeats's early book, and even the cover of that early book, represents.
实际上，这是一种非常从容不迫有意识的,对早期叶芝的书里体现出的后浪漫审美的抛弃，甚至连早期那本书的封面，都体现出了这种倾向。
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It's a kind of hauntedness that surrounds Nabokov's vision of aesthetic bliss as one's response to that autonomous artwork.
这样对艺术作品，自主性的回应,对Nabokov的审美幸福观点而言，是挥之不去的困扰。
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Meanwhile, the number zero is. Alright, it's all zeros 0 so I'll--just for consistency, use four of them here, but that's just an aesthetic.
同时，数字0呢，自然，全部是,只是为了一致性，我采用四个，当然仅仅是为了美感。
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Ideas like this, as I say, are taken from the aesthetic and practical thinking about the nature of the work of art that one finds in Modernism.
这种观点,来自对,现代主义作品美学和实际的考虑。
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That wasn't just because they sort of had an aesthetic pleasure in nice flat fields.
这不仅是因为,平原会给人愉悦的审美享受
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Milton's performing a similar boundary-crossing aesthetic gesture here.
弥尔顿在他的作品中也展现了这种美学上的边界交叉。
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And there's this third axis called "style," which is really a more subjective aesthetic sense.
还有第三个中心线叫做“设计风格“,那是一个主观的审美学的观念。
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The occult gives Yeats aesthetic forms for understanding individual psychology and historical event.
神秘主义使叶芝从美学角度,理解个人的心理,和历史事件。
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In many ways Yeats retained this aesthetic bias.
很多方面他都持美学上的偏见。
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But that aesthetic image of Dean is all bound up in these negotiations.
但那迪恩的美的形象都沉迷于那些协商了。
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An aesthetic object can be purposeful; that is to say we can view it as purposeful.
美的事物也可以有“目的性“,就是说我们可以带着“目的性“看待它。
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In other words, the experience of reading poetry is not just an aesthetic experience.
也就是说，读诗并不,仅仅是美学的享受。
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Man brings the sense of what the world is into being and then stands aside and somehow sort of takes it in through an aesthetic register or in some other remote way.
人类创造了世界的意义,然后站到了一边，然后,通过美学的认证或其它遥远的方式将其吸收。
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I'd like an integer please, a colon, and a space just for aesthetic reasons.
我想要一个整型数，一个冒号，和一个,使其更美观的空格。
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There is first the understandable aesthetic power, the power of the beauty of Milton's verse, an aesthetic power that's often thought or felt to inhere somewhere in the poetry itself.
首先是美学上的力量，这是可以理解的，弥尔顿的诗句之美的力量，一种美学意义上的力量,大家通常认为或觉得这是弥尔顿诗歌本身固有的一种力量。
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I want it or I disapprove of it and, lo and behold, it's no longer aesthetic. I'll come back to that in a moment, but I hope you can see that that is a distinction between the purposive and the purposeful.
我会产生想法，比如想得到它还是觉得它恶心，你瞧，这样一来就不只是纯审美问题了，我一会儿再回来讲，但是我希望你们现在可以区分,“合目的性“和“目的性“这两个概念了，它们是有区别的。
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The purpose of new form is not to express new content, but to change an old form which has lost its aesthetic quality lost its power to take the film away from our eyes].
新形式的目的不是要表达新的内容，而是要更换已经失去美学价值的旧形式,不能调整我们看世界的旧眼光了。
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It's in response to what seems to have been an aesthetic reaction to the poem that the printer of Paradise Lost asked Milton, went back to Milton and asked him to append a note to the book's second printing -- to append a note that explains why the poem rhymes not.
这是弥尔顿对《失乐园》的出版商的答复,出版商问弥尔顿关于此诗的美学问题，他找到弥尔顿，让他给此诗的第二次印刷附一个,注解--附个注解解释这诗为什么不押韵。
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Milton has dug up a gem from the pages of The Iliad, and this gem has something like a Medusa effect on the poem or perhaps on us as readers. Time almost seems to stop when we begin appreciating this image solely on aesthetic grounds.
弥尔顿从《伊利亚特》中挖出了一块瑰宝，这块瑰宝对于诗或我们读者起得作用,如同美杜莎一样，在我们只欣赏着,精美绝伦的地面上的场景时，时间仿佛停止。
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These are setups of pieces on the chess board that have particular solutions. And they're very complex, and they have a kind of aesthetic form to them.
象棋有些设置是有专门的,解决方法的，很复杂，它们有一种美学在里面。
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So, in a way we are the solvers of this problem for him; ; we are the other half that completes the aesthetic experience; we are there to participate in it with him.
所以，我们某种程度上也是他的问题的解决者;,我们是使美学体验完整的另一方;,我们和他一起参与。
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The only purpose of the work of art is to afford aesthetic bliss.
艺术作品的唯一目的是提供美学极乐。
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It's a late Victorian image of an archaic singer rendered in the melodramatic manner of Pre-Raphaelite art and thoroughly removed from the aesthetic values of modernism, such as naturalism, formal clarity, emotional restraint and so on.
这是维多利亚时代晚期古代吟唱诗人的肖像,用戏剧化的前拉斐尔派,风格表现，完全摒弃了,现代主义的审美观，比如自然主义，形式明确，感情自制等等。
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So that's Kant's famous distinction between the purposive, which is the organization of an aesthetic object, and the purposeful, which is the organization of any object insofar as it goes to work in the world or for us.
所以康德的著名理论，关于区分美学意义上的“合目的性“,和存在意义上,服务于我们的“目的性“
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I think it's safe to say that we're intended to be shocked, ; maybe even repulsed, by this remarkable description of the deity; and so I'm hoping you feel something of a shock of these lines, "and mad'st it pregnant." Milton is taking a huge aesthetic risk here.
通过这不同寻常的对神的刻画，弥尔顿，应该是想要让我们震惊，甚至厌恶的;,因此我希望你们因这几句感到些许震撼，“使它怀孕“，弥尔顿在这里为了美感不惜冒了很大的险。
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In Nabokov there is, but it's usually aesthetic: how things look, the look of a hotel, the look of a field, the look of a child, the look of a woman.
在Nabokov的书中有：,不过一般是美学的：事物看起来怎么样，旅馆的样子，田地的样子，小孩的样子，女人的样子。
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The question of the relationship between the person and the aesthetic in Lolita is going to be at the heart of my overarching argument about the novel.
而这个男人和《Lolita》的美二者关系,将成为我们探讨这部小说的,主要核心。
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It's as if Sal's first experience of Dean is already, in that scene, assimilated into the image of Dean: the disembodied, aesthetic image of Dean.
这好像是Sal第一次在那情景下，感到迪恩已经被同化成迪恩的形象：,空洞的，美的迪恩的形象。
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