So I wrote a chapter on him called Jean Cocteau and the poetry of film.
我曾写过一章来写他,章名叫,让·科克托和电影诗歌。
and the more recent one doesn't have a whole chapter on any one film, but there are lots of films analyzed.
而更新的一本,并没有用一整章去描写一部电影,但是分析了很多电影。
John Coltrane John Coltrane I got a whole chapter on Coltrane I should not forget him.
比如,这本书中有一章都是关于他的,我必须提他,还有他的。
Having that ability to close off a chapter and move on is really, really important.
结束一个章节,并且继续向前的能力非常重要。
If you look at his book, again in the first chapter, he gives a list of countries-- it's based on an analysis that some others--that Professors Dimson, Marsh, and Stanton used in their 2002 book.
如果你再看看他在书中所讲的第一章,他列出了一些发达国家的名单-,这是根据其他一些人分析得出的,如迪姆森,马什及斯坦顿教授,在他们2002年出版的书中都用过。
One last word of encouragement, I'll say it again, there's a lot of words in this chapter, there's a lot of concepts, focus on the things that I talked about in class not the details, the basic concepts.
最后再说点鼓励你们的话吧,这一章涉及到很多名词,有很多概念,需要关注的不是我讲的细节,而是基本概念
One is the chapter on Comus in a book by John Guillory called Poetic Authority, and the other is the entire book by Angus Fletcher on Milton's Comus, titled The Transcendental Mask.
一个是约翰古伊洛写的关于Comus的一个章节,叫诗的威信,另一个是安格斯弗莱彻写的一本研究弥尔顿的Comus的书,叫《超凡的》
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