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The first is the radical theology, and the second is this poem's equally radical and equally daring original verse form.
第一是它激进的神学观点，第二是这首诗,同样激进大胆的原始诗歌形式。
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And this poem seemed like one you might find and be able to read yourself, without me there to explain it.
而这首诗似乎是一首,你们自己就可以读懂的，不用我多做解释的诗。
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I think that the entry could be seen as in some way helpful for our understanding of this poem, the Mask.
我觉得这个条目某种程度上来说,对我们理解《面具》这首诗是有帮助的。
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It's called Death and Transfiguration, and I hear this as a companion piece, a kind of pendant to the Zarathustra.
这首曲子名叫死亡与净化,我听说它是查拉图斯特拉的姊妹篇,某种对查拉图斯特拉的补充
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who was it who sang the song "Two Out of Three Ain't Bad" ? Was that Meat Loaf? Who was it?
三个中占有两个就不错了“，这首歌是谁唱的来着“,是肉块乐队吗？，是么？
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Torah And this is an acronym. The T stands for Torah, which is a word that means instruction or teaching.
这还是个首字母缩写词，T代表，是指示或教义的意思。
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This is palpably false because here's the poet praising her, right?
这似乎不合理因为这首诗是在赞扬她，对么？
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And the poem goes on, and this is the tone of a poem. It's a poem of crisis, a poem of a kind of hollow speaker, someone who emerges as, more or less, buried alive. And this is supposed to reflect both personal crisis and a historical crisis.
然后这首诗继续娓娓道来，这就是诗歌的韵律,这是首关于危机的诗，关于一个有点言之无物的叙述者,最后活活烧死的诗，这恰好反映了,个人和历史的危机。
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And one of the things one may immediately detect is whether or not the person who wrote the poem was indeed writing the poem and thought that she or he was in command, right?
一个人在阅读时很快就能发现,写这首诗的作者是否,真的是在独立作诗,认为自己对文字完全具有掌控权？
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Can someone recite it? What's the last line?
有人能够背诵这首诗吗？最后一句是什么？
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Here, the stopping of the train is like the interruption by memory of normal consciousness that's the basis of the poem.
这里，火车的停止就像是,被正常知觉的记忆所打断，那是这首诗的基础。
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The character of Peter brought directly out of the New Testament is really slicing through the poem's fictive veneer.
彼得的形象是直接从中借鉴而来的,在这首诗虚构的伪饰中显得格外犀利。
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The very structure, in fact, of Milton's poem here is what Dr. Johnson would be obliged to call a remote allusion.
约翰逊称弥尔顿这首诗的结构,是遥远的幻境是不得已的。
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He's without question the most compelling figure, certainly, in the first two books and, I think, arguably in the entire poem.
他是前两卷书中最引人注目的角色，当然，也可以认为是这首诗中最引人注目的。
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Yeats spoke of the poem as a mad song, maybe not a kind of mad song we would--it's not what we would think of as a mad song, necessarily.
叶芝说这是首狂诗歌，也许不是我们所讲的狂诗歌,不一定是我们所认为的狂诗歌。
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It's rhymed iambic tetrameter, four beats per line, with some variations.
这是首押韵的短长体四音部句，一行四音，也有些变化。
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Now we'll play a passage of Mozart-- a symphony by Mozart here that he wrote at the ripe old age of nine years.
现在我们要放的这个片段来自莫扎特-,这首交响曲是莫扎特在九岁那年写的。
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So, a classic example is from the song "Super Freak" By Rick James.
经典的例子,是瑞克·詹姆斯的"超级怪胎"这首歌
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And the poetry that he stands for the fisherman stands for like all of Yeats's poetry is a poetry again of symbols.
这首诗代表了,渔夫代表了,和叶芝所有的诗一样,这是关于象征的诗。
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It is, well, it's a great poem. There are lots of them that when I first started teaching this course I decided I wouldn't teach.
它是一首伟大的诗，有很多诗都是,我开始教这门课的时候就决定不去说这首诗。
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It's a very funny poem, and you've got triplet rhymes there to make sure you know that Frost is joking, and it feels like light verse.
这是首有趣的诗，你会得到三连音的押韵,让你确实觉得弗罗斯特在开玩笑，这就像光的韵律一样。
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The other character that's mentioned in the poem is the boy's father, whose trees they are, the property owner, who also is absent.
这首诗里提到的其他人是他的爸爸，这些树就是他爸爸的，这些财产的拥有者，但也没有出现。
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And so when the figure of Orpheus appears in this poem, it's the second half of the Orpheus story that Milton is forced to tell.
因此当俄耳甫斯的形象出现在这首诗中时，弥尔顿要讲的是他生平的后一段。
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It's just this interest in the right, the proper form of warbled song that's so important here.
这就是这首颤抖歌曲的，恰如其分的形式在这里是如此重要。
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I'll bet you, even if you're reading this for the second or the third time, you were surprised again when you came to this point.
我敢说，即使是第二遍或第三遍读这首诗,读到这儿时你们还是会感到惊讶。
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And this poem could be the basis of a first paper, a topic for one.
这首诗可能会是第一篇论文,的基础，一个话题。
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It's difficult to imagine that as an expression of genuine grief over the death of a genuinely close friend would take the form of a poem so learned, so filled with remote literary allusions and obscure opinions.
这首诗是为表达对挚友逝去的真挚悲痛,却采取了这样一种如此博学，如此充满,遥远的幻境和隐晦的观点的形式,这确实是难以想象的。
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Milton clearly wants us to know that this Nativity Ode was written by a young Londoner in 1629, but it's a poem that is at the same time deliverable to the infant Christ by some extraordinary violation, of course, of all of the established laws of temporal sequence.
显然弥尔顿想让我们了解这首《圣诞清晨歌》,是在1629由一位伦敦年轻人写的，但是它同时也是一首,通过非同寻常的方法能够交到圣婴手里的诗，当然这就需要他违反现有的一系列法律。
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What musical is that from?
这是哪首歌里面的来着？
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