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The Latter Prophets are poetic and oracular writings that bear the name of the prophet to whom the writings are ascribed.
后先知书则是诗歌型和神论似的著作,预言家被认为是完成这部作品的人。
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They are trained and have an interest in modern poetry, and this is a happy collaboration for me with them.
他们非常有经验，并且对现代诗歌也有所涉猎，对我而言，能和他们一起工作是很令人开心的。
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He serves as something like a complicated double for the young, unpublished, and as of yet unproductive poet himself.
他就像一个复杂的替身，是那些年轻的，还没出版诗歌或是不多产的诗人自己的替身。
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That's all legitimate eidence. That is what one uses to build up the structure of the interpretation of the poem.
这些都是合乎逻辑的证据，都是人们用来,建构解读诗歌框架的工具。
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In English it begins with the late novels of Henry James around 1900, in poetry with Eliot and with Ezra Pound.
在英国现代主义萌芽于1900年左右，体现在亨利·詹姆斯,的后期小说，艾略特和艾兹拉·庞德的诗歌上。
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So we're talking about a poem being able to sustain itself in the world to be equal to the world.
因此，一首高贵的诗歌能够,在这个世界中维持自我并与这个世界媲美。
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But in any case, that's why Solon's pamphlets are written in poetry and apparently in really good poetry.
无论如何,这就是为何梭仑的小册子,要以诗歌的形式写出,而且显然是很好的诗歌
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The problems that Frost's poetry poses for us as readers are not problems of reference. They can't be solved by footnotes.
他的诗歌给我们的困难,不是参考的问题，它们不能就用脚注解决。
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Milton has wrenched this poem away from Christianity, and he's forced it into a direction that we could loosely call paganism.
弥尔顿的诗歌偏离了基督教，走了我们可以不严谨的称为异教的方向。
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The decay of Christian belief and practice is not a loss but rather an opportunity for poetry, in Crane.
基督教信仰和践行的衰败,在克莱恩看来，并不是损失，反而是诗歌新生的机会。
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In the second verse paragraph, Milton tells his father: "do not despise divine poetry, creation of the prophetic bard.
在诗的第二段，弥尔顿对他父亲说：,不要轻视神圣的诗歌，诗人预示性的创作。
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Langston Hughes's poetry comes out of this experience in a community of black intellectuals and artists it created specifically in Harlem.
休斯的诗歌灵感来源于他曾经在一个,有着大量黑人知识分子和艺术家的社区的居住经验,在哈莱姆居住时的影响尤为明显。
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So, the poetry that is part and parcel of the conversation between Dean and Carlo--Carlo's poetry--seeps out of that basement room.
所以，诗歌是迪恩和卡洛的对话中不可缺少的一部分,-卡洛的诗歌--从那间地下室里渗出。
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The typewriter is holy! the poem is holy the voice is holy the hearers are holy the ecstasy is holy!
打字机神圣，诗歌神圣，嗓音神圣,听者神圣入迷神圣！
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And what he writes about is an extraordinary concept really: it's something called "the nobility of the poem".
他所写的是一个绝妙的理念,叫做，诗歌的高贵。
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Nonetheless, The Faerie Queenecan be said, however strangely, to be the first great poetic celebration in English of the institution of marriage.
然而无论《仙后》多么与众不同，它仍可被称为，第一部伟大的有关婚姻的,英文诗歌体盛典。
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I quoted the other day Wallace Stevens saying that poetry should "make the visible a little hard to see."
引用华莱士斯蒂文斯的话来说,诗歌应该模糊事物的本质“
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That is to say, we're going to focus on the question of what a poem is, and the question "What criteria should we invoke in order to read it for the best and correctly?"
换句话说，我们将把注意力集中在,“什么是诗歌“,和“为了读懂诗歌,我们需要具备哪些素质“的问题上“
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He talks about the nobility of the poem, the force from within it being equal to the force that might be applied from without.
他认为诗歌的高贵，是指诗歌内部的力量,也可以运用到诗歌外部。
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These are primal forms of play, if you like, ; that suggest forms of poetic activity; also, spiritual activity.
这是玩最原始的形式，如果你愿意，这种形式显示出了诗歌活动的形式;,还有精神活动。
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The first is the radical theology, and the second is this poem's equally radical and equally daring original verse form.
第一是它激进的神学观点，第二是这首诗,同样激进大胆的原始诗歌形式。
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I see this as a course that's an introduction to the literature of a period, to modern poetry.
我觉得，这只是一门引导性课程,引导大家关注某一时期的文学创作和现代诗歌。
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In Yeats people are always particulars who are fitted to types which are new versions of old identities that travel across time.
在他的诗歌里人总是特定的,某些类型，是穿越时间的,古老人物的现代化身。
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This is actually a recurrent figure in the early poems, isn't it wonderful that there's a term for being turned to marble?
这事实上是在早期诗歌多次出现的一个形象，有一个术语形容变成石头，是不是很美妙？
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The pastoral elegy is clearly one of the most stylized and most self-consciously artificial of all of the poetic genres.
田园挽歌明显是所有诗歌类型中,最程式化，最具人工雕琢痕迹的诗种之一。
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That this great mind and great memory Let's see. On your handout I have Yeats on the subject of magic.
这一伟大的思想和记忆,在你们的讲义材料上,我提到了叶芝诗歌中的魔法。
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Yeats is always creating himself in his poems and creating himself as a kind of version of a type.
叶芝总是在他的诗歌中以一种,特定类型的变体来创造自己。
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Milton seemed to have decided against marriage as he was making the decision to wed himself to his poetry instead.
那里弥尔顿似乎已经决定不结婚了,因为他已经下定决心要致力于诗歌创作。
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Nonetheless Oscar Wilde, a friend of Yeats nonetheless, Yeats's poetry does undergo an important and notable stylistic change.
王尔德也是叶芝的朋友,但叶芝的诗歌的确经历了,重要的值得一提的风格上的改变。
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