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I said that Yeats looks on the modern with a sense of both horror and a fascination, a compulsion almost.
我说过叶芝看待现代是,以一种害怕和好奇的感觉，一种难以压抑的冲动。
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You can see him, in a sense Yeats, cooling the fire in the head of Aengus at this moment.
你们可以感受到此时叶芝正从,安古斯的狂热里冷静下来。
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On the contrary, God explicitly commands humans to be fruitful and multiply, and he does that in the P-source, right?
相反地，上帝曾明确要求人类,开枝散叶人丁兴旺，而这属于不洁的范畴，不是吗？
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And so both of these lobes together constitute a pi bond.
上下两片叶一起组成了一根π键。
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Instead of imagining lobotomizing us, turning us into rats, suppose we just say, look, the problem is really this.
这次不用额叶切除术把我们变成老鼠，问题的症结是。
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And it turns out that when you constructively have two p orbitals interfere, and when I say constructively, I mean they're both either positive or they're both the negative lobes, that's when you got bonding.
当两个ｐ轨道,相长干涉时，我说的相干相长，意思就是说它们要么都是,正的叶瓣要么都是负的叶瓣，这时就能成键。
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There is the frontal lobe, easy to remember, it's part in front, the parietal lobe, the occipital lobe, and the temporal lobe.
有额叶,很好记,是前面的部分,枕叶,还有颞叶
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Well, there I might be factoring in the frontal lobe because much of the short-term memory in particular is in the frontal lobe.
那么,额叶会发挥作用,因为大部分的短期记忆,都由额叶进行处理
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Yeats bridges Irish and English cultures, and he is importantly Protestant with social and family ties to English life.
叶芝连接了爱尔兰和英国文化，作为新教徒，他和英国,在社会和家庭方面联系紧密。
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Yeats develops this idea or develops another version of it in a somewhat earlier poem that's interesting in relation to this one.
叶芝进一步发展了这一想法,并在早期的一首诗里,写了另一个版本,那首与这首的关系很有趣。
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Here, this destruction brings forth a new order, a new form of life that Yeats calls "terrible beauty."
这时，毁灭带来了新秩序，带来了新生活,叶芝称之为，惊人之美“
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Yeats is, in fact, a far less nostalgic thinker than either Eliot or Pound, at least as I understand them.
其实叶芝不如,艾略特或庞德那么怀旧，至少我是这么理解的。
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What I want to stress now is that Yeats sees passion at work in the same way in history.
我现在要强调的是,叶芝在工作中感到了激情,就如他在历史中感受到的一样。
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Yeats sees the Second Coming as an image, as a myth, an idea, a metaphor, a certain stylistic arrangement of experience.
叶芝把第二次降临看成一个意向，一个神话，一个意识，一个比喻，一种诗意的安排和感受。
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The myth that Yeats takes up is of Zeus's rape of the maiden, Leda, whom he attacks as a swan.
叶芝此诗的神话原型是,宙斯强暴了一个美女，丽达，宙斯变成天鹅侵犯了她。
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That "Spiritus Mundi" that Yeats refers to in "The Second Coming," well, this is Yeats talking about that idea here.
叶芝二次圣临里的宇宙之魂“,叶芝这里在谈这一观点。
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And there is finally, again, an affirmation of this joy and gaiety, here seen as a property of the artwork itself.
最后在这里又一次，叶芝又一次提到了快乐欢愉，这里应看作是这件艺术品的部分特性。
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It's a kind of dare demonstrating not just his indifference to the crowd but in fact his scorn for it.
叶芝这种胆量,不仅说明他对大众的漠然,其实还是对它的蔑视。
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Through Yeats's poem, Easter, 1916 goes on happening, happening in a sense in and even to us.
通过叶芝的这首诗，1916年复活节起义之事，就好像在我们眼前发生。
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There's a way in which Yeats's poetry of this period goes on resonating in the world we're living in.
叶芝这一时段的诗歌,有一个反应现实生活的方法。
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It is, in fact, a very deliberate and self-conscious repudiation of that late romantic aesthetic that Yeats's early book, and even the cover of that early book, represents.
实际上，这是一种非常从容不迫有意识的,对早期叶芝的书里体现出的后浪漫审美的抛弃，甚至连早期那本书的封面，都体现出了这种倾向。
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Yeats spoke of the poem as a mad song, maybe not a kind of mad song we would--it's not what we would think of as a mad song, necessarily.
叶芝说这是首狂诗歌，也许不是我们所讲的狂诗歌,不一定是我们所认为的狂诗歌。
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You could compare this poem to the poem placed last in Yeats's last poems called "Politics" that might seem to say something similar.
你们可以将这首诗与,叶芝诗篇的最后一首“政治“相比较“,它们可能会说一些相似的东西。
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When the bombs went off in London last year, I thought about Yeats and what he might have thought or written about this.
去年伦敦爆炸案发生时，我想到了叶芝,我想象他会想些什么,他会为此写些什么。
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One result of this is Yeats's and this is interesting his lack of interest in the god.
这样的结果就是,这很有意思，–,因为叶芝对上帝没兴趣。，–
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In a certain sense, Yeats, I think, really felt that he was King Goll.
我认为从某种意义上说叶芝，真的认为自己就是郭尔王。
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Last time, I alluded to Yeats's involvement in the Abbey Theater, beginning in 1904.
上一节课上，我提到叶芝曾为艾比剧院创作，从1904年开始。
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Well, that's enough for today, and we will continue Yeats on Wednesday.
好，今天就到这里，周三我们继续我们的叶芝之旅。
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If Yeats's book was so explicitly Irish, look at this book.
如果叶芝的书是如此精致的爱尔兰化的话。
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For Wednesday--This is my--our first Yeats lecture.
星期三是我们第一次关于叶芝的课程。
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