By the 1830s,1840s, there were over 100 men in Charleston, South Carolina alone, making their livings full-time as slave traders.
到了十九世纪三四十年代,仅仅在南卡罗来纳的查尔斯顿地区,就有超过一百个,专职从事奴隶贸易的奴隶交易商
In calling him here the Tuscan artist, in some respects we can see him forging an identification between himself as a literary artist and Galileo as a scientific artist.
从伽利略托斯卡纳大师的名号中,我们可以看出弥尔顿把他自己,一个文艺上的大师,和伽利略,科学上的大师,视为同一。
He likened Charleston, South Carolina though this was in the 1780s he likened Charleston, South Carolina to what he called, quote, "The barbarous institutions and traits, especially slavery, the self-indulgence of the planters" and then he concludes "Just like Lima, Peru."
他把南卡罗来纳的查尔斯顿比作,那是在十八世纪八十年代,他把南卡罗来纳的查尔斯顿比作,"野蛮的制度和习性,尤其是奴隶制,种植园主们醉生梦死,自我放纵",然后他总结道,"就像秘鲁的利马一样"
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