• So, this is Nabokov's beautiful evocation of how writer and reader meet at the summit of this misty mountain of the imagination.

    那么,这就是纳科夫美好呼唤,是关于读者和作者,如何在想像巅峰相遇。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • I mean, as an example, I am a musician, but I go to Borders and Barnes & Noble to hear...

    意思是,例如,我是一个音乐家,但我去德斯书店和巴恩斯诺贝尔书店去听……

    想学音乐吗? - SpeakingMax英语口语达人

  • So, now, here's just a list for you: eight features of literary modernism that are all important to Nabokov.

    现在我给大家一张列表,上面列举了八项对纳科夫非常重要文学现代主义特征。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • My friend Nassim Talib has just written a book about it called-- maybe I'll talk about that--called The Black Swan.

    朋友纳西姆·塔利刚刚写了一本书,叫做"黑天鹅现象",以后我会再讲到

    耶鲁公开课 - 金融市场课程节选

  • Pauli was an Austrian who did his PhD under Sommerfeld in Munich and then post-doced with Max Born in Gottingen and also with Niels Bohr in Copenhagen.

    泡利是个奥地利人,他在慕尼黑读时候导师是索末菲,他后来从医时候,在哥廷根和曼克斯·波恩共事,在哥本哈根时候和尼根斯·波尔共事。

    麻省理工公开课 - 固态化学导论课程节选

  • Now the paper that was in the readings by Boyd Eaton talked about this.

    伊德·伊顿文章就涉及了这点

    耶鲁公开课 - 关于食物的心理学、生物学和政治学课程节选

  • We have an image here of the reconstituted, repaired body of Orpheus whose gory, severed head had been sent down the swift Hebrus to the Lesbian shore. It's as if Milton can't let go of this most un-Christian attachment to the human body.

    想到一个完整被修复好了俄耳甫斯身体,他血淋淋被割下来头颅曾,被赫伯鲁河一路冲下去直到莱斯斯岛,似乎弥尔顿放不开,这对人体眷恋,而这与基督教教义正相反。

    耶鲁公开课 - 弥尔顿课程节选

  • The best food we had is... There's a stall just at the entrance of Borough Market

    我们吃过最好吃是……在罗市集入口有一个小摊,

    推荐鱼卷 - SpeakingMax英语口语达人

  • I quote in here a guy who croaks before this course starts, Jean Bodin, B-O-D-I-N.

    在这儿我引用一位逝者提出观点,金

    耶鲁公开课 - 欧洲文明课程节选

  • Borough Market, right. It's one of the oldest markets, I think, in England, in London.

    罗市集,好。它是最古老市集之一,我想,在伦敦,在英格兰都是。

    充满人情的地方 - SpeakingMax英语口语达人

  • which is all about, yeah, people that like at Borough Market. They love cooking.

    这里都是喜欢去罗市集人。他们喜欢厨艺。

    宣传美食应用程序 - SpeakingMax英语口语达人

  • Now I want to contrast that with what we see from Nabokov in this essay, Good Readers and Good Writers.

    现在我要把这和《好读者和好作者》这篇文章中,纳科夫观点做下比较。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • So, where is Nabokov in here? I think that's one of the places where Nabokov is. It's Nabokov meditating on this problem.

    那么,在这一段中纳科夫在哪里呢?我,认为这是他所,存在一个地方,纳科夫正在沉思这个问题。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • I've been assigning this book, now it's in another edition and-- Fabozzi is working on a fourth or next edition, I forget what number.

    我一直指定这本书为教材,现在有了新版,法齐正在修订第四或者更往后版本,我忘记版本号了

    耶鲁公开课 - 金融市场课程节选

  • So, anyway. Okay. But now, that modernist tradition is something that Nabokov owes a lot to, but he always tries to distinguish himself from it. For Nabokov, the highest value is originality.

    好吧,不管怎样,但现在,现代主义传统,很大程度得归功于纳科夫,虽然他一直试图把自己,从中区别开来,对纳科夫而言,最高尚价值是独创性。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • But actually, the thing I want to think about is a crude pun there, a "fairy" tale. Proust is himself gay. One of his big subjects is homosexuality, and Nabokov's reaction to this is really homophobic. This is not just about Nabokov's personal prejudice.

    但事实上,我想说是这里一个粗糙双关语,一个“童话“故事,普鲁斯特是一个同性恋,他讨论一个,话题就是同性恋,但纳科夫对此是相当反感,这仅仅是因为纳科夫个人偏见。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • Now, we're going to go back to Roger Ibbotson at the School of Management. He did some path breaking work in terms of describing capital markets returns over reasonably long periods of time.

    先讲回到管理学院罗格·伊森,所进行开创性研究,描述了在相当长时期内,资本市场收益情况

    耶鲁公开课 - 金融市场课程节选

  • So, let's begin with another of those scenes on 213 that Nabokov points out to us, the Kasbeam barber. Why did it take him a month to come up with the Kasbeam barber? What's going on in this tiny snippet that's so important? So here it is.

    那么,我们从213页纳科夫向我们指出另一个,场景开始:理发师加斯比姆,为什么他花了一个月时间,来创造理发师加斯比姆形象呢?这个小片段里,发生了什么重要事情呢?我们来看这里:

    耶鲁公开课 - 1945年后的美国小说课程节选

  • You might think of walking in here expecting Professor Hungerford on censorship and getting me instead. But this is a very important idea for Nabokov both as a way of treating predecessors and as a way of writing. And I want to show you that way of writing very early in the book on page 10 now. Let's take a look at that.

    你们可能期待亨格福特教授走上讲台,取代我讲审查制度,但这对纳科夫而言,是非常重要对待前辈和写作方法,接下来,我将向你们展示,他写作风格,在这本书很前面,第10页,我们一起看一下。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • There is that physical comedy, and I'll suggest to you that in that sentence, the pushing and pulling, you're seeing part of Nabokov's verbal play.

    有着强烈肢体喜剧色彩,我认为在这句话中,反复出现推和拉,想你展示了纳科夫文字游戏。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • Talib, who's a Wall Street professional, talks about these black swans as being the real story of finance.

    华尔街专家塔利,用金融界真实案例讨论黑天鹅现象

    耶鲁公开课 - 金融市场课程节选

  • The language that the Beats tried to imagine, tried to write, takes up some of these problems that we saw in Nabokov.

    垮掉一代试图想象和写出语言,同样是是我们在纳科夫书里所看到问题。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • But, Nabokov's relationship to this modernist past is not just the burlesque that he visits on Eliot, is not just this complicated attraction and dis-identification that he works on with Proust.

    但是,纳科夫和现代主义者关系不只是,他对艾略特滑稽模仿,也不只是和普鲁斯特,复杂吸引和不认同。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • Nabokov cannot meet his reader on the misty mountain ; because somebody has to agree to publish this book first; it has to exist in the world before that reader can meet it.

    然而纳科夫却不能在这座巅峰上与他读者相遇,因为在那之前必须有人先同意出版那本书;,在读者遇到那座山峰之前,它必须首先存在。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • Inutile loveliness" is kind of the key word of Nabokov's technique, and he says the novel has as its only purpose to provide aesthetic bliss. So, here is inutile loveliness coming just from seeing the landscape as a stranger.

    无用可爱“是纳科夫技巧一个,关键词,他说小说只有一个目,那就是提供,美学狂喜,所以这里“无用可爱“,是把风景当做一个陌生人看待。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • So, this is the other form that the aesthetic can take. And I think that Nabokov is consistently concerned about these two valences of what the aesthetic can look like.

    那么这就是那种审美观念,另一种形式,我认为纳科夫一直十分关注这两种审美,可能形式十分关注。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • Roger Ibbotson took a look at a larger group of funds -3,500--funds over a ten-year period and found survivorship bias at 2.9% per year and backfill bias at 4.6% per year.

    罗杰·伊森研究了更大样本组,3500支基金10年间表现,算出其生存偏差是每年2.9%,回填偏差是每年4.6%

    耶鲁公开课 - 金融市场课程节选

  • I went back and took a closer look at Roger Ibbotson's data and there are lots of examples that will illustrate this point, but the most dramatic occurs around the crash in October 1929.

    我进一步查看了罗格·伊数据,诸多例子都能说明这一点,但是印象最深刻,发生于1929年10月那次股灾

    耶鲁公开课 - 金融市场课程节选

  • Roger Ibbotson, who is a colleague of Bob Shiller's and mine at the School of Management, has done a fair amount of work, studying the relative importance of these sources of returns.

    罗格·伊森是,我和希勒在管理学院同事,他在对回报率来源研究上,做了大量工作

    耶鲁公开课 - 金融市场课程节选

  • He's come to the conclusion that over 90% of the variability of returns in institutional portfolios is attributable to asset allocation and that's the number that I think most people hear cited when they are looking at Roger Ibbotson's work.

    他得出结论,机构投资中,超过90%回报率变动,要归因于资产配置,我想这是罗格·伊文章里面,被人引用得最多结论

    耶鲁公开课 - 金融市场课程节选

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