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In Lycidas, Milton looks back at the Elder Brother's theodicy, and it's almost as if he's attempting to test its validity.
在这首诗中，弥尔顿回顾了《科玛斯》中哥哥的斯奥迪斯，似乎是在验证斯奥迪斯正确与否。
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I live in an area called Cobble Hill, which was an Italian neighborhood at one point, and it changed.
我住在一个叫科布尔山的地方，那儿曾经是个意大利住宅区，后来它变了。
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We have the god of poetry, Phoebus Apollo himself, who makes an appearance, and he chides Milton for being so concerned with earthly fame -- more on that later.
这里诗歌之神，科巴士·阿波罗，露面了，他责备弥尔顿,这么在意世俗的名声--下面再谈这个问题。
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The reason we picked these two cities we asked realtors- Karl Case, who's my colleague, he teaches at Wellesley College.
我们选择这两个城市的原因,我询问了房产经纪人,卡尔·科斯是我的同事,他在韦尔兹利大学教书
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but there's Cobble Hill, Carroll Gardens, Park Slope which are very similar.
但科布尔山、卡罗尔花园、斜坡公园都很相似。
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One was called the Wellcome Collection,
一个叫韦尔科姆收藏馆，
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You can figure Milton asking in this poem Lycidas if it's true: is it true what the Elder Brother said, ? that virtue is always rewarded and evil punished?
可以看出在《利西达斯》中弥尔顿是在问：,《科玛斯》中哥哥所说的，善有善报恶有恶报是真的么？
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The position that Milton -- this is how I like to read it - the position that Milton would like to be able to take on this question of virtue's reward is formulated by the Elder Brother in Comus.
弥尔顿的立场--我下面要读,-弥尔顿关于贞操的报偿这一问题的立场,通过《科玛斯》中的哥哥这一角色表达出来。
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Milton can't allow himself to embrace the wonderful fiction, : that beautiful fiction that had been espoused by the Elder Brother: the fantasy that virgins don't even die, that their bodies are simply reconstituted somehow as angelic spirits.
弥尔顿实在无法认同《科玛斯》中哥哥，的美好奇妙的幻想：,这仅仅是虚幻而已，处子不会死去，他们的身体,会被重构，成为天国里的灵魂。
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You'll remember that Milton published Comus in 1637.
你们应当记得弥尔顿是在1637年发表了《科玛斯》
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Professor John Rogers: The best way, I think, to introduce the central issues of this wonderful poem, Lycidas, is to return to Milton's Comus.
约翰·罗杰斯教授：我认为，要向你们介绍《利西达斯》,这首精彩的诗的精髓，最好的方法莫过于，回顾一下弥尔顿的《科玛斯》
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Now as I noted earlier, there's a difference between the two existing texts of Milton's Comus.
正如我之前提到的,弥尔顿《科玛斯》的现存两个版本间有差异。
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The next major poem that Milton writes after Comus is Lycidas.
弥尔顿在《科玛斯》之后的重要诗作是《利西达斯》
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Now given this, the romance frame of Milton's Comus, - we're not surprised actually to see -- even though we don't see at the end her actually getting married, we're not surprised to see the Lady in this speech embracing the form of chastity that promises something like an eventual turn to marriage.
这样看来，弥尔顿《科玛斯》的传奇结构，我们实际上并不诧异看到-,虽然我们没有看到她最终结婚了，我们看到这个演说的女士,拥护承诺像是最终转向婚姻的贞节时,并不感到诧异。
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When Comus is first performed, Milton's poetry hasn't yet been printed, but it's almost as if Sabrina seems to have died printless or unpublished so that Milton wouldn't have to.
当科玛斯首先完成后，弥尔顿的诗篇还没有印刷，但是,就像Sabrina要不留痕迹的死去或出版,所以弥尔顿不会那么做。
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