• Milton devotes a lot of time in Areopagitica to making a number of attempts to distinguish licensing from censorship.

    弥尔顿在《论出版自由》花了很大功夫,试图区分出版许可管理和出版控制。

    耶鲁公开课 - 弥尔顿课程节选

  • A lot has happened since the exuberant optimism of the political spirit that we see in a tract like Areopagitica.

    弥尔顿在《论出版自由》发表了极为乐观的政治思想之后,政治形势发生了很大变化。

    耶鲁公开课 - 弥尔顿课程节选

  • So, there are multiple ways, at multiple levels, that Nabokov is defending his work in this afterword. For one thing, he insults the publishers.

    因此,在这篇后记,纳博科夫在多种不同层面上,为他的作品辩护,一方面,他侮辱他的出版商。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • My book is published in the series of gender studies, the York University Studies on Women and Men.

    我的书是归在性别研究系列出版的,就是《约克大学性别研究》期刊。

    普林斯顿公开课 - 人性课程节选

  • Maybe they're not- Maybe they're in publishing or some other field but they understand finance and a lot of them are directly in finance.

    也许他们不是...,也许一些人是从事出版业的,或是其他的行业的,但是他们都懂金融,而且他们很多人直接从事金融业

    耶鲁公开课 - 金融市场课程节选

  • That's some sense of the spectrum of magazines that are coming out, and all with different roles to play in this culture and that position their writers and poets and artists associated with them in different ways.

    对于设定即将出版的杂志的基调,以及它们在文学发展扮演的不同角色,作家诗人和艺术家们以不同方式与之相连的地位,都具有一定的意义。

    耶鲁公开课 - 现代诗歌课程节选

  • The extraordinary thing that Freud remark -- as he studies dreams in this book--published in 1905, by the way-- the extraordinary thing about the way in which dreams work is that there seems to be a kind of coexistence or simultaneity of these effects.

    弗洛伊德那本,研究梦境的书--就是1905年出版的那一本-,对于梦运作的发现不同寻常的一点,就在于他认为“凝缩“和“移置“,的现象同时存在。

    耶鲁公开课 - 文学理论导论课程节选

  • In Alexis de Tocqueville's great Democracy in America, which he published in 1831,or published in 1837, after his famous nine-month tour of the United States the most famous book, travel book, ever written about America, by a foreigner.

    亚利西斯·德·托克维尔的著作《美国民主》,在1831年,或者1837年出版,这是本他在美国周游了九个月之后,写成的游记,在所有由外国作家执笔,所著的关于美国的书享有盛誉

    耶鲁公开课 - 美国内战与重建课程节选

  • We find ourselves in today's reading, Areopagitica in the middle of the English Revolution, sometimes called the Puritan Revolution.

    我们在今天的阅读发现自己,《论出版自由》,在英国革命,也就是有时被称为清教改革,的过程

    耶鲁公开课 - 弥尔顿课程节选

  • I think this might be the first time that John Milton is actually attacked or brought to the attention of the English people in print.

    我想那可能是弥尔顿第一次被抨击,或在出版引起英国人的注意。

    耶鲁公开课 - 弥尔顿课程节选

  • You'll note in this passage from Areopagitica that Milton himself calls Spenser a teacher.

    你们可以在《论出版自由》的文章看到,弥尔顿称斯潘塞为老师。

    耶鲁公开课 - 弥尔顿课程节选

  • Now in 1644 when he wrote the Areopagitica, Milton may have forgotten that Spenser's Guyon did in fact descend in to hell without the help of his teacher, the palmer.

    644年他在《论出版自由》写道,弥尔顿可能忘记斯潘塞笔下的盖恩事实上是在,没有自己的老师朝圣者的帮助下进入贪神之洞的。

    耶鲁公开课 - 弥尔顿课程节选

  • This is--I'm showing here U.S. data, but Siegel also argues in the latest edition that the equity premium is also high for advanced countries over the whole world.

    这就是。。。我在这展示的是美国的数据,但是西格尔在他最新出版的书讨论道,在世界范围内许多发达国家的,股票溢价同样很高。

    耶鲁公开课 - 金融市场课程节选

  • If you look at his book, again in the first chapter, he gives a list of countries-- it's based on an analysis that some others--that Professors Dimson, Marsh, and Stanton used in their 2002 book.

    如果你再看看他在书所讲的第一章,他列出了一些发达国家的名单-,这是根据其他一些人分析得出的,如迪姆森,马什及斯坦顿教授,在他们2002年出版的书都用过。

    耶鲁公开课 - 金融市场课程节选

  • It's a process of undoing and undermining that really eats away at the argument, we could argue, throughout the entirety of Areopagitica.

    这是个论点开始慢慢被侵蚀破坏的过程,我们可以争论这点,贯穿整个《论出版自由》

    耶鲁公开课 - 弥尔顿课程节选

  • Mammon had surfaced -- I'm testing your memories here - in the text of Areopagitica.

    贪欲之神以前在--我想考考你们的记性,《论出版自由》出现过。

    耶鲁公开课 - 弥尔顿课程节选

  • Because this is one of the most famous passages in the treatise, and it's not one that we actually looked at for Mammon himself, I'm going to ask you to turn to Areopagitica.

    因为这是在那篇论文最有名的篇章之一,而且这不是我们之前看到贪欲之神唯一的篇章,我想让你们翻开《论出版自由》

    耶鲁公开课 - 弥尔顿课程节选

  • So in Milton's argument against licensing, the coexistence of so many conflicting opinions and beliefs.

    所以在弥尔顿反对出版许可的论点,他支持很多不同的观点和信念的共存。

    耶鲁公开课 - 弥尔顿课程节选

  • There's the performance version of 1634 and the printed version of 1637, and the additions to the text that Milton is making for the published version reflect, I think, his sense that he, like the Lady, is in the process of making an important transition.

    634年的表演版本4,和1637年的印刷版本,弥尔顿在出版版本添加的部分,我认为那表现出,就像是女士吧,是正在做转变的重要进程

    耶鲁公开课 - 弥尔顿课程节选

  • I think that Milton intends for us to think of the verse in Paradise Lost as he wanted us to think of books in Areopagitica: the lines of Milton's poetry are not absolutely dead things, but they do contain within them a potency of life.

    弥尔顿在《论出版自由》让我们把书看作是肉体,我想他也想让我们这样看待《失乐园》的诗句:,弥尔顿的诗句不是毫无生气的,它们蕴含着生命的潜质。

    耶鲁公开课 - 弥尔顿课程节选

  • All matter contains within it something like a "potency of life"; that's Milton's phrase. It has a capacity for action, actually a capacity for motion, and, just as books can take on a life of their own in Areopagitica, so all matter for later Milton.

    所有物质都更包含一种类似“生命的潜质“的东西;,这是弥尔顿的原话,所有物质都有行动的可能,运动的可能,正如《论出版自由》书籍可以有自己的,生命一样,晚年的弥尔顿相信一切物质都是这样。

    耶鲁公开课 - 弥尔顿课程节选

  • While Milton wrote most of the mask in 1634, he published it in 1637, and it's at this point three years later that he seems to have inserted into the Lady's speech, and also elsewhere in the poem, certain lines for the published version.

    弥尔顿在1634年写了《面具》的大部分,他于1637年出版,就是在三年后,他似乎在印刷版女士的演讲,或者在诗篇的其他地方插入了一些行。

    耶鲁公开课 - 弥尔顿课程节选

  • In fact, he even claims -- and he does this explicitly in Areopagitica he even claims to be in favor of censorship in a number of cases.

    实际上,他更声明并且明确地在《论出版自由》,他更在一些案例声明他支持出版控制。

    耶鲁公开课 - 弥尔顿课程节选

  • In the works that Milton is going to be publishing now with greater and greater frequency, it's this Spenserian ideal of marriage that will be the new and, believe me, the endlessly complex Miltonic subject.

    在弥尔顿准备出版的作品,越来越常出现的,是斯宾塞式的婚姻理想,那将是崭新的,相信我,也是无尽而复杂的弥尔顿风格的题材。

    耶鲁公开课 - 弥尔顿课程节选

  • And so much of Areopagitica involves Milton's bringing together competing images and traditions and arguments.

    出版自由》也卷入了弥尔顿将挑战的形象,和传统还有他的论点结合起来。

    耶鲁公开课 - 弥尔顿课程节选

  • There's a sense in which you can see this happening all the time in Areopagitica.

    你可以看到这个情况在《论出版自由》,总是不断发生着。

    耶鲁公开课 - 弥尔顿课程节选

  • There are some passages in Areopagitica that I would be remiss to overlook, so I'm going to ask you to turn to page 739 in the Hughes.

    出版自由》的段落有一些我忽略了,你们把书翻到739页休斯。

    耶鲁公开课 - 弥尔顿课程节选

  • Present participles in general in Areopagitica being probably the most important form of speech, the act of gathering him may be more pleasurable, more desirable, than actually having him fully reconstituted.

    大体上,现在分词在《论出版自由》演讲的最,主要的时态形式,收集他的行为可能比,拥有真正再拼凑起的他更让人满足,更让人有欲望。

    耶鲁公开课 - 弥尔顿课程节选

  • Wallace Stevens It's an idea that actually is rather splendidly set down by Wallace Stevens. And in fact, he set it down initially during a lecture he gave in Princeton, which is subsequently published as an essay.

    这其实是,首先详细提出来的,事实上,他首先是在普林斯顿大学,的演讲提出这点,随后以论文的方式出版

    普林斯顿公开课 - 人性课程节选

  • There are a lot of perspectives discernible or extractable from this treatise, Areopagitica, from which the fallen state seems in so many ways, maybe in every way, superior to its unfallen counterpart.

    有很多角度都可以从这个专著《论出版自由》辨别和提取,出来,从很多方面或是一方面来说,从没落的政府比其他未没落的对手优越来。

    耶鲁公开课 - 弥尔顿课程节选

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