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His poetic talent, his poetic promise, his poetic ripeness - it hasn't yet burgeoned or made itself manifest.
他的写诗才华，写诗的抱负，诗作的成熟度,-都还没能彰显出来。
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there were articles that he wrote for his local paper.
他还为当地报纸写文章呢。
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So Milton implies to Diodati that he isn't yet up to the task of epic, but as he describes the Nativity Ode that he's just written, it's almost as if he considers it something of a mini-epic.
所以弥尔顿暗示迪奥达蒂自己还不能完成创作史诗的任务，但他提到了他刚写完的《圣诞清晨歌》,好像这就是一篇迷你史诗。
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Is there something on his mind that he's not saying?
是不是还有些东西他想说而没写？
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On reserve, I have his recent books so I hope that you will get a lot from him.
我还列了几本近来他写的书,希望你们能从他身上有所感悟
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When I was a young man," he said and this is written as he is very old.
当我还年轻时“，他说到,因为这信是在他年迈时所写。
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It's this line, "And with forc'd fingers rude" - this is called a broken line or a half-line, and this broken line has been read, I think, rightly as Milton's indication to his reader that he's not even up to the task of writing a sonnet at this point.
是这句，“我不得已伸出我这粗鲁的手指“,-这叫做断裂句，或者半句，将这句理解为,弥尔顿向读者暗示他此时甚至,还不能写好十四行诗是正确的。
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That was supposed to be a tragedy that, in some manuscript drafts that we still have today -- in some manuscript drafts, he titled this prospective tragedy Paradise Lost and in other drafts Adam Unparadised.
他打算写一部悲剧，在一些目前还存留的草稿中,我们看到弥尔顿将这部要写的悲剧命名为,《失乐园》，在另外一些草稿中又叫做《亚当失乐园》
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He had not only written really quite daringly on behalf of the execution of this particular king, but he wrote another pamphlet, Eikonoklastes , which is a shocking defense of just regicide in general - not just in England, but as a kind of political principle.
他不仅对处死国王一事大胆的发表言论,还写了另外一本书，《圣容破坏者》,这本书为正义的弑君做了惊人的辩护,-不仅是在英国的这次弑君，还是一条普遍的政治原则。
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But at the time period that we are examining, the period in which he writes Comus, the early 1630s, Milton seems very much interested in remaining virginal forever, avoiding even the sanctioned loss of virginity which is the state of marriage.
但在我们研究这段时期时，17世纪30年代初他写《Comus》的时期，弥尔顿似乎还对永远保持童贞非常感兴趣，甚至避开支持婚姻所必须经历的一个阶段,失去童贞。
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