Milton wants the reader to know that she's fallen, we are all fallen, and any problem that we have in understanding the theology of heaven and hell is our problem as fallen readers.
弥尔顿希望读者认识到她在堕落,我们也在堕落,以及我们在理解天堂中遇到的任何问题,以及地狱式我们这些堕落了的读者们的心魔。
Literary theory just takes those for granted as part of the sense experience, as one might say, of any reader and prefers, rather, to dwell on questions of description, analysis and speculation, as I've said.
文学理论把这些,当作是读者感性认识的一部分,它更喜欢讨论关于描述,分析和猜测的问题,正如我之前,说过的那样。
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