• Some people might think handwriting is not important anymore because of computers and voice recognition programs.

    VOA: special.2009.10.29

  • You'll remember it features a succession of four mourners, and we could think of each of these mourners providing Milton with an opportunity to try out a different voice.

    你们会记得它写到了四名送葬者的相互交替,我们可以把他们,看作弥尔顿想要发出与世不同的论道。

    耶鲁公开课 - 弥尔顿课程节选

  • What exactly that purgation will entail and why Milton's voice needs to be purged at all I think these questions are really the subject of the entire rest of the poem.

    这种净化是很有必要的,弥尔顿的语言为什么需要被完全净化,我认为这个问题才是所有剩余诗歌,真正的主题。

    耶鲁公开课 - 弥尔顿课程节选

  • Why, in other words, should we think of language as speech, as voice?

    换句话说,为什么,我们应该将语言看做是言语,声音?

    耶鲁公开课 - 文学理论导论课程节选

  • At the same time, you might think his reticence, his reluctance to speak in his own voice may have also been a response to the fate of Socrates and politically endangered situation of philosophy.

    同时,你也可以将他的缄默,与不发言的冷淡,可能也是,对苏格拉底的遭遇,及哲学在政治上危险处境的响应。

    耶鲁公开课 - 政治哲学导论课程节选

  • And, if there are moments when something like Nabokov's voice or point of view shades into Humbert's, what are those moments, if you think there are some?

    有没有某些时刻,Nabokov的声音和想法,逐渐变成了Humbert的想法,在哪些地方体现,你认为存在这些地方吗?

    耶鲁公开课 - 1945年后的美国小说课程节选

  • The iniquity of his lips must be burned off by a live angelic coal, that the sinfulness of his lips we could think of it as the sinfulness of his voice, his poetic voice -- will have to be purged.

    他邪恶的嘴唇必定会被天国燃烧的煤块烧掉,他的嘴唇的罪孽,我们可以认为是他所说的话的罪孽,他的诗句必将被净化。

    耶鲁公开课 - 弥尔顿课程节选

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