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The first three or four weeks or so we'll be following the elements of music: rhythm, melody and harmony-- and then a test.
开始的三或四周,我们会逐个介绍,音乐中的元素,节奏,旋律,和声,然后有一个考试
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Why,when dealing with harmony and bass lines, do I want to start by focusing on popular music and then apply those principles to classical music?
为什么在处理和音和低音线时，我是否需要注重流行音乐然后将这些原则应用到古典乐上？
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If the mind is like the harmony of the body, then maybe you could destroy the mind, the soul by destroying the body on which the mind depends.
如果精神像是身体的和声，那也许你可以通过毁灭,精神依靠的肉体来毁灭,精神和灵魂。
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If we have to sing a different pitch, then probably the harmony has changed.
如果觉得自己需要变调，那么和声就很可能已经改变了。
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So if what Socrates means by invisibility is the first notion: can't be seen with your eyes, then the argument is not any good, harmony is a pretty compelling counterexample.
所以如果苏格拉底说的无形,是第一个意思：，眼睛看不见，这个论证就不好，和声是个很有说服力的反例。
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If he could show us, he could convince us that harmony is not really invisible, then we would no longer have a counterexample to the claim that the invisible can't be destroyed.
如果他可以说服我们,和声并非无形，那我们就没有了,灵魂不可毁灭,这一论断的反例。
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They just elongated each measure by its same amount so we had harmony changing on each measure, and then in that middle section each chord was changing at the rate of two measures.
但它的基本形式没有改变，而在每个小节中和声都发生了改变，接着在中间的乐节，每个和弦每两小节改变一次。
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If some invisible things can be destroyed, and harmony is an example of that, then, by golly, it's going to follow that we can't conclude from the invisibility of the soul that the soul can't be destroyed.
如果有形的东西可以毁灭，和声是这样的一个例子，那么接下来我们就无法得出,灵魂是无形的,无法毁灭的。
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