• There is also the question of what kind of reader we are that this preface brings up and sort of puts in front of us.

    有一个问题,我们是什么样的读者呢,在这个序言面前。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • He, in fact, sings and sings louder for it in this late poetry; sings louder, as he puts it, "for every tatter in its mortal dress."

    在诗里他高声为其赞颂;,为其高声歌唱,更高声地为每一件破旧衣裳歌唱“

    耶鲁公开课 - 现代诗歌课程节选

  • So, this is one of the things that O'Connor puts in front of us.

    这就是奥克纳想要呈现在我们面前的东西之一。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • This puts the British Government in an embarrassing situation of owning a failing mortgage lender, so they've got to now be the government collecting on all these mortgages; it's a mess.

    承认其银行抵押贷款出现严重问题,着实令英国政府颜面扫地,所以现在不得不由政府出面,收购所有这些抵押贷款,真是一团乱

    耶鲁公开课 - 金融市场课程节选

  • As he puts it in the dedication of his most famous book, he writes that this book The Prince "is a product of long experience with modern things " and a continuous reading of the ancient ones."

    从而催生出,他最呕心沥血的大作,他笔下的《君王论》,“是一部,对现代事物长久体验,与持续阅读古籍的结晶“

    耶鲁公开课 - 政治哲学导论课程节选

  • They talk a lot, as Sarah said, they talk a lot about abstract questions, and this puts the meaning of the story in that abstract register. Is it a love story, or is it a religious story, a mystifying story?

    他们谈论了很多,如萨拉所说,他们谈论了很多,很抽象的问题,这使得这个故事,变得抽象了,这是个爱情故事吗,有的或者是个宗教故事,还是个神秘故事呢?

    耶鲁公开课 - 1945年后的美国小说课程节选

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