We find ourselves in today's reading, Areopagitica in the middle of the English Revolution, sometimes called the Puritan Revolution.
我们在今天的阅读中发现自己,《论出版自由》,在英国革命,也就是有时被称为清教改革,的过程中。
And it's possible that the very idea of a Puritan poet presented Milton with what may have felt like an insoluble conflict.
成为清教徒诗人的想法可能,让弥尔顿感到一些不可调和的冲突。
We can think of it -- this is an anachronistic term -but increasingly leftist, and he's becoming one of those figures that we can now identify with this label of "Puritan."
我们可以想象-这里有一个时代有些错误的术语,但是他的确是越来越左派,并正在成为我们目前,贴上“清教徒“标签的标志人物之一“
All of Milton's expectations that England might actually be transformed, and they were glorious expectations, into something like a Puritan utopia or even a Puritan paradise -- all of that had been destroyed.
弥尔顿壮丽的期望,将英格兰转变成一个,清教徒乌托邦,甚至是清教徒天堂的期望,统统破灭了。
The rest of contemporary history, including all of the stormy events leading up to Milton's own beloved Puritan Revolution, in which Milton himself, of course, had participated -all of that has been at least at the literal level, at the explicit level, expunged from the poem.
接下来的当代历史,包括所有引领着弥尔顿所钟爱的清教徒革命的,暴风性事件,在那场革命中,弥尔顿本人也参与其中,-所有那些至少在文义层面,在独立于本诗之外可说清的层面,都是很重要的。
He's been sacrificed to the Puritan cause.
他成了新兴清教徒事业的牺牲品。
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