Milton's taking pains here, and he does this with very few other poems, to let us know precisely when it is that he's written it.
弥尔顿在这里极力想让我们,知道他确切的创作时间。
And when we put together the class, this is precisely what we thought about: how you affect change and those people whom you change will hopefully influence others and so on and so on.
我们在组织课堂时,心中就有这个想法:,你如何影响改变,那些被你改变的人,希望能进一步影响其他人等等。
And I can only assume that that is precisely the point, that Milton would -- later in 1667 when Paradise Lost is published, he would make his poem canonical just like The Iliad and just like The Odyssey and The Aeneid before anyone had actually read it.
我只能假设就是为了这点,当他在1667年出版《失乐园》后,弥尔顿会遵照《伊利亚特》的模式来创作诗歌,还有《奥德赛》和《埃涅阿斯纪》,在这之前人们还没有真正的读过这些书。
I have to believe that whoever came up with that theory for the first time was aided in coming to it by thinking about the end of the Roman Empire, when something precisely like that did happen.
我想任何人第一次接触该理论,都会自动联想到罗马帝国的衰亡,进而支持该理论,因为类似的事情确实曾经发生过
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