• By the way, if we begin by talking about poetic and practical language, we're beginning where the Russian formalists began.

    谈到诗化语言和实用语言,我们就和俄国的形式主义者站到了同一个起点。

    耶鲁公开课 - 文学理论导论课程节选

  • Poetic and practical language: you've already been hearing this in I.A. Richards and in the New Critics.

    关于诗化的语言和实用的语言:,你们已经了解了理查兹,和新批评主义者。

    耶鲁公开课 - 文学理论导论课程节选

  • But, you know, the formalists' own basic distinctions are dualistic, aren't they: the distinction between poetic and practical language, the distinction between plot and story, the distinction between rhythm and meter?

    但是,形式主义所认为的区别却是双重标准的,诗歌语言和实用语言的区别,情节和故事的区别,节奏和韵律的区别?

    耶鲁公开课 - 文学理论导论课程节选

  • Content is a function -or let me say practical language, the purpose, in other words, of communicating facts or of communicating at all, which we associate with practical language -is a function of poetic language.

    他们认为,内容即是功能,实用语言的目的,就是交流,我们总是把交流和实用语言联系,但其实它也是诗歌语言的功能。

    耶鲁公开课 - 文学理论导论课程节选

  • There's an obvious sense in which they understand poetic languageto be that in which form is predominant and practical language to be that in which content is predominant, but the Russian formalists see it in a slightly different way.

    他们认为,诗歌中形式占主导,实用语言中内容占主导,但是俄国形式主义者们不这么认为。

    耶鲁公开课 - 文学理论导论课程节选

  • In other words, replacing the shortest distance between two points that we experience in a practical message, "literariness," as the formalists call it, or "poetic language," as they also sometimes call it and as the New Critics certainly call it, slows us down.

    也就是说,实用语言以最短的距离,联系两点,而文学性,如形式主义者所称,或诗意的语言,他们有时也会这么叫,新批评派成员一定会这么称呼,使我们的理解速度慢了下来。

    耶鲁公开课 - 文学理论导论课程节选

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