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No English poet before Milton ever suggested that he had been chosen by God at birth to be a poet.
在弥尔顿之前没有英国诗人敢说,自己是被上帝选中去做诗人的。
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He serves as something like a complicated double for the young, unpublished, and as of yet unproductive poet himself.
他就像一个复杂的替身，是那些年轻的，还没出版诗歌或是不多产的诗人自己的替身。
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This is a poet who, with his wife, practiced automatic writing, who believed that the dead spoke through the living.
他是这样的诗人，和他妻子一起，尝试着，自动写作，他们相信死人通过活人说话。
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In a certain poet, the image, the image patterns, can certainly be recognized as the dominant device.
对于特定的一个诗人，图像，或图像的组合，当然可以是占支配地位的方法。
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But a few verses later it's clear that the poet isn't really drowning: this is a metaphor for his difficult situation.
但是随后的几首诗证明了，诗人并没有真正的溺水：,这里的水象征着困境。
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This was best summarized most famously by the British poet Philip Larkin who wrote, They mess you up, your mum and dad.
这一点被一位英国诗人菲利普·拉金,很好地总结了,他写道,他们害了你,你爸和你妈
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They show us a poet taking language apart and putting it back together in new ways, new configurations, new anatomies.
它们给我们呈现的是一个顾此即彼的诗人,以新方式把他所言重新组合，新的形态，新的躯体。
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Orpheus had provided Milton with a paradigm of the poet, the poet whose discipline and whose abstinence nourished and strengthened his poetry.
俄耳甫斯在弥尔顿看来是诗人的模范,他严于律己，节制禁欲，让诗作更加出色。
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And it's possible that the very idea of a Puritan poet presented Milton with what may have felt like an insoluble conflict.
成为清教徒诗人的想法可能,让弥尔顿感到一些不可调和的冲突。
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Hardy, arguably the greatest English poet, modern English poet, is a figure we don't study in this course otherwise.
哈迪，可以说是最伟大的英国诗人，现代英国诗人，然而我们不会在这门课中学习他。
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In other words, Plato is wrong. The poet is not a liar because he's not talking about anything that's verifiable or falsifiable.
意思就是说，柏拉图错了，诗人不是骗子,因为它从未说过什么话可以证明或证伪。
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And according to this image of the vocation of the poet, Milton isn't claiming divine inspiration at all. He's making a deal.
通过这种对诗人职业的比喻，弥尔顿并不在宣传神圣精神，他在做生意。
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He's been waiting and waiting for his season due so that he can ripen into a powerful Orphic poet.
他一直在等待着自己繁茂的年华,那时候他将成长为强大的俄耳甫斯式的诗人。
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I think we're taken aback here. We're taken aback by the rude interruption in the otherwise seamless flow of the poet's lament.
在这点上我们被震惊了，被这种粗鲁的打断深深震惊了,否则诗人的悲叹将会天衣无缝的流畅通顺下去。
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He would remain a virgin in order to prepare for and to maintain this incredibly important role as an epic poet.
他想保持自己的童贞,为了准备和保持作为史诗诗人这个无比重要的角色。
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Let's have a little review of the career of the great poet Orpheus as we get it certainly in L'Allegro and Il Penseroso.
让我们看看伟大诗人俄耳甫斯的经历,这在《快乐的人》和《沉思的人》中都有所提及。
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This momentary switch-off between the sun and the poet is just one of this poem's many substitutions.
这种太阳和诗人之间,短暂的互换只是这首诗众多替换中的一个。
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Now, and I don't think this is unimportant, King was also - it would seem he was also a minor poet, an amateur poet.
我认为这并非不重要，金也是,-尽管不显赫，他也是个诗人，一个业余诗人。
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This may seem to be a perfectly reasonable vision for a poet considering himself to be an inspired poet to have, but there's something peculiar here.
这对诗人是一个非常好的幻景,把自己看做是一位有灵感的诗人，但这儿还有些怪异的事情。
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You can actually see the mechanics of end-stopped verse quite clearly in the rhymed version of Paradise Lost that, admittedly, the great poet John Dryden wrote.
在大诗人约翰·德莱顿所写的,押韵版的《失乐园》中能很明显看到，这中孤联诗句的机制。
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The speaker of the poem mourns the death of the shepherd-poet Lycidas and describes this parade, this procession of mourners who make their tribute to the deceased.
牧歌》第十首中的讲述者哀悼牧羊人诗人利西达斯的逝去,描述了一行送葬者们,向逝去的人献礼的情景。
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He was a poet who died before he could take up his career, and it's not unlikely that -- he wasn't married - that he was also a poet who died while he was still a virgin.
他是个事业还没起步就死了的诗人，并非不可能--金还没结婚,-他还是个未失童真就死了的诗人。
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It's at this point in the pastoral elegy - the conventional, stereotypical pastoral elegy - that the poet-shepherd sings a mournful song.
在田园挽歌中,-传统的，老套路的田园挽歌中,-牧羊人诗人就在此时唱起哀悼的歌。
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Milton was the only Cambridge poet to honor Edward King in that memorial anthology by writing a poem in the pastoral mode.
弥尔顿是那本纪念诗选里唯一一个,写田园诗追悼爱德华金的剑桥诗人。
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But we have to remember that King himself was a poet, or thought of himself as a poet.
但我们得知道金自己也是个诗人，最起码自认为是一个诗人。
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If you've read L'Allegro and Il Penseroso, you know that the image of the great mythological poet Orpheus is always a loaded one for Milton.
如果你们读过《快乐的人》和《沉思的人》，就会知道,伟大的神话诗人俄耳甫斯对弥尔顿来说一直是个沉重的形象。
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While the Creator Great His constellations set, It's almost too much for this poet.
创造者是伟大的,群星为他点缀，似乎对这个诗人来说太多了。
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By becoming a poet for all sorts and kinds, Frost intends, as he says, to arrive "where I can stand on my legs as a poet and nothing else..."
通过成为所有类型的人的诗人，他想像他说的,“在他站立的地方都被尊称为诗人而不是其他“
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