For example, he begins by borrowing the Russian formalist distinction in trying to explain what fiction is between plot and story.

举个例子，他开篇在解释那种文体介于情节和故事之间时,借用了俄国结构主义的特点。

耶鲁公开课 - 文学理论导论课程节选

But, you know, the formalists' own basic distinctions are dualistic, aren't they: the distinction between poetic and practical language, the distinction between plot and story, the distinction between rhythm and meter?

但是，形式主义所认为的区别却是双重标准的，诗歌语言和实用语言的区别，情节和故事的区别，节奏和韵律的区别？

耶鲁公开课 - 文学理论导论课程节选

Embedded within the explicit plot of the simile is a secret, a kind of buried narrative, and it's a hidden story that illustrates Satan's self-destruction.

深藏在这个比喻精巧的情节布局里的，是一个秘密，一个被深埋已久的故事，一个隐藏着的，阐述了撒旦自我毁灭的故事。

耶鲁公开课 - 弥尔顿课程节选

So, this unfolding of the plot and the epic story has been very, very interesting to watch, especially if you look back to that time when he came back to the company.

苹果的情节展开,和史诗般的叙事，都非常有趣，特别是回首他刚回公司的时候,这两点更为有趣。

斯坦福公开课 - Twitter之父Jack.Dorsey演讲：好奇和灵感的力量课程节选

For one thing, he didn't invent a sort of image, he invented a story wrote and collaborated on the plot of Citizen Kane.

他并没有创造一种形象，他在《公民凯恩》的情节中,创造了一种角色的合作关系。

麻省理工公开课 - 电影哲学课程节选

It's just the opposite of the usual relationship between plot and story.

这和常见的情节和故事的关系很不一样。

耶鲁公开课 - 文学理论导论课程节选

Take the distinction between plot and story.

让我们来看看故事和情节的区别。

耶鲁公开课 - 文学理论导论课程节选

All right. In addition to the use of the relationship between plot and story, we also find Brooks using terms that are now, having read Jakobson and de Man, very familiar to us: the terms "metaphor" and "metonymy."

好的，除了运用主题和故事之间的关系,布鲁克斯还会用到很多别的词，等我们读完雅各布森和德曼的作品后会觉得很熟悉：,比如，“比喻“，和，“转喻“

耶鲁公开课 - 文学理论导论课程节选

But story, that's what the plot is about, and if that's what the plot is about, how can we avoid calling it content?

但是情节又都是围绕故事的，所以我们怎么能否认，故事是内容呢？

耶鲁公开课 - 文学理论导论课程节选

In all of these cases, you're tempted to say, "Well, gee. One of those must be form and the other must be content -in particular, obviously "plot" and "story" where "plot" is the constructedness of the text and the "story" is what the text is about.

在所有这些情况中，他们都企图解释，这些一个是形式,一个是内容,具体来说，很明显在情节和故事的关系上“,情节是构建方式,而故事是内容。

耶鲁公开课 - 文学理论导论课程节选

Syuzhet is the plot, the way in which a story is constructed, and the fabula is the subject matter or material out of which the syuzhet is made.

syuzhet“是情节，也就是故事的来龙去脉，而“fabula“则是主题方面，也就是,故事和内容是怎样呈现的。

耶鲁公开课 - 文学理论导论课程节选