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But officials here are making no secret of their unease about his reported plan to pitch his trademark Bedouin tent at the New Jersey residence of Libya's U.N.mission chief during his stay.
VOA: standard.2009.08.24
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the pitch of rights, and a little bit about Hiroshima.
例如安保条约，还有广岛。
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The root of the triad is the bottom-most pitch of that triad.
三和弦的根音是在一个三和弦最底部的音。
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President Barack Obama, a White Sox fan, who chatted with the pitcher in the clubhouse of the All Star game last week before throwing out the first pitch, is left handed like Buehrle.
VOA: standard.2009.07.24
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And it's more--it's not annoying because of its volume or pitch.
它并没有干扰,因为它的音量和波及范围。
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Then the next pitch on the trumpet is actually an interval of a fifth.
然后下一个音高在小号那里,实际上是一个五度音程
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They'll have something going and then almost unbeknownst to you they will take that and lift it up in terms of the pitch content.
他们会让音乐继续,然后出其不意,通过音高大小,来升华它
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So, given the set-up, you kind of feel what you're missing, you know, what this home pitch is-- the pitch to which you are gravitating.
那么,根据规律,你发现缺点了什么,基本的音高是,那个吸引你的音高
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Timpani or as it's sometimes called a kettledrum, and it was playing two different pitches, actually sort of playing this pitch and this pitch, the octave and then the fifth.
定音鼓,或者有时称作半球形铜鼓,它正演奏两个不同的音高,实际上在演奏这个音高和另外一个音高,八度音阶和这个五度
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We talk in terms of high pitch and low pitch although we'll fine tune that next time, and then we have this idea of duration or time, which we tend to write out in symbols that move from your left to right.
我们是从高低方面来谈论音高,即使我们将于下次讲解曲调的问题,我们已经有了音符时值或时间的概念,我们倾向于用符号来表示,时间是从你的左边向右边移动的
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What else? Strongly felt tonal key, which is called-- I don't know if I mentioned this or not-- the tonic key, the tonic pitch, the tonic pitch there, and this idea of the direction of the music.
还有什么,强烈感受到的主调,它叫什么来着,我不确定我是否已经提及到了,主调,主音高,包括了主音高,还有音乐走向的观点
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Time. Okay, pitch and time and pitch and duration, excellent, so those are the two dimensions of music and well, indeed we could even call them the axes of music because we tend to think of pitch on a vertical axis.
时间,音高和时间,或者是音高和时值,非常好,它们是音乐的两个维度,其实我们可以称呼它们为音乐的两轴,因为我们趋向于将音高放在竖轴上来考虑
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What we've done is taken this pitch and played it all the way down an octave below it so we're actually getting back to this configuration of the pitch right next to it, and we could--then of course we could go down one more step and we would get the octave, which is a duplication of two-to-one.
我们所做的是固定一个音高，向下一路弹奏一个八度,所以事实上我们又回到了与这个固定音高相邻的音上，我们当然也可以向下再弹一组，然后得到这个八度，这其实就是两个八度对一个八度的重复。
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Here's a group of sounds, different pitches and actually three different pitches in there, as opposed to just one pitch--one pitch, three pitches or three or four pitches, moving in different ways, kind of independent rhythmic chords, so that's the difference between monophonic, homophonic and polyphonic texture.
这是一组音,不同的音高,事实上三个不同的音高,相对于一个音高,一个音高,三个音高或四个音高,以不同方式运动,像有独立节奏的和弦,这就是单音,主音和复音织体的区别
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Well,if you go back to the formation of musical notation from the ninth through the twelfth centuries we see that very early on these two dimensions of music the two axes of music that we talked about before pitch vertically and duration horizontally, are in place and we have these spots in this grid.
回顾一下从公元九世纪至二十世纪,音乐记谱法的历史形成过程,我们可以看出,音乐的两个维度,就是我们之前提到的音乐的两个轴,纵轴是音高,横轴是时值,在早期已经存在了,我们在这样的网格上用点记录
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Here is the pitch in--of--a string an octave higher so you can see it this way. As you probably know, if you take a long string and pluck it, it's going to take that long string a long time to pass that sort of cycle, if you will, just one pass through that cycle.
这也是个音高,一个高八度的音弦,你可以这样这样看 你们可能知道,如果你拨动长弦,长弦要经过很长时间,才能完成一个震动周期,如果你想,可以尝试下
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