How to go from one reference point to the other with this property. This property, f which we're going to call f.
这两个参考点插值,得到不同温度时工作物质的特性,我们把这一特性记做。
De Man's point is a question is both rhetorical and grammatical, and the one cannot be reduced to the other. Both readings are available.
德曼想指出的是,一个问句既是修辞型问句又是语法型问句,那么一个不能变成另一个,两种理解都有效。
I can try other portfolios; this one right here--I'm pointing to a point on the pink line-- that point right there, 50% stocks, 50% bonds.
还可以尝试其它组合;,这一点,粉色曲线上我指的这一点-,表示50%的股票,50%的债券。
It's possible that he genuinely didn't know what to do, that he wasn't smart enough to understand that he needed to point to the other one.
有可能他是真的不知道该做些什么,他还不够聪明,无法理解他需要指向另一个物体
And, one other thing that I failed to point out, if you take a look at the energies associated with the outermost electrons, in this case, lithium, you see it's 0.5 megajoules per mole, and then what's the 6.26?
还有另外一点我忘记提到的是,如果你观察离最外层,的电子的能量,在这种情况,对于锂,你可以得到,它是每摩尔0。5兆焦,那么6。26是什么呢?
The one point of view takes the philosophic life, the examined life, to be the one most worth living; the other takes the political life, the life of the citizen engaged in the business of deliberating, legislating, making war and peace as the highest calling for a human being.
一个观点为采纳哲思生活,经反省的人生才值得活;,另一个观点为采纳政治生活,公民的生命并入,商议,立法事务,宣战与追求和平,成为最高的人性召唤。
I want to make one other point before we launch into that, and that is the following: that composers use the rate of harmonic change-- whether it's changing or not changing-- to sort of make us feel different ways about the music that we are listening to.
在此之前我还要说一个问题,不管和声有没有改变,作曲家都能通过和声改变的频率-,让我们对所听的音乐有不同的感受-,它能让我们感受到这段音乐。
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