But one of Milton's projects in Paradise Lost is to effect his forgetting of all of his literary precursors.

但是弥尔顿在《失乐园》中的一个计划是,让自己忘记所有文学前辈。

耶鲁公开课 - 弥尔顿课程节选

Hartman's absolutely right to insist that no theological concept is as important to Paradise Lost as free will on the one hand and divine providence on the other.

哈特曼有绝对的权利坚持说任何神学的概念,在中的意义都不足与匹敌自由意志的重要性,也不足以和神圣的天命相比。

耶鲁公开课 - 弥尔顿课程节选

This is one of the primary strategies that Milton develops, especially in the first two books of Paradise Lost, as a kind of defense against his dependence on classical literature.

这是弥尔顿发展出的早期策略之一，尤其是在《失乐园》的前两册书中,这似乎是在反驳他对古典文学的依赖。

耶鲁公开课 - 弥尔顿课程节选

This was important to Milton, - and one of the big set-piece speeches in Paradise Lost -- - and you may remember it if you've read that poem -- is the hymn that begins "Hail, wedded Love."

这对弥尔顿来说是至关重要的，在《失乐园》中有一个让人印象深刻的片段-,如果你们读过那首诗也许还记得-,那是一首赞美诗，以“致敬，已婚的爱情“开头“

耶鲁公开课 - 弥尔顿课程节选

She's alluding here, I think, to one of the most famous passages in Paradise Lost in which Milton is asserting nothing other than his poetic power.

我认为，她这里是在暗指，《失乐园》最著名的篇章之一,在这篇章中弥尔顿仅仅是在展示他诗句的力量。

耶鲁公开课 - 弥尔顿课程节选

It also provides Milton with the figure of Mammon who will, as you will see over the course of this semester become - well, here in Paradise Lost he's one of the key fallen angels in Milton's hell.

它也为弥尔顿提供了贪欲之神这一形象，正如在本学期这一门课中你们将始终看到的，贪欲之神,在《失乐园》中会变成,弥尔顿地狱中主要的堕落天使之一。

耶鲁公开课 - 弥尔顿课程节选

Now, one of the earliest -- and I think this is a remarkable fact - one of the earliest citations of Paradise Lost that actually appears in print in the seventeenth century comes from the proto-feminist writer Lady Mary Chudleigh.

最早的--我认为这很重要,-17世纪最早的以印刷形式出现的,对《失乐园》的引用,来自于原型女性主义作家玛丽·恰德莱夫人。

耶鲁公开课 - 弥尔顿课程节选

The extent to which Milton succeeds in justifying such a God in Paradise Lost will be, of course, one of the questions that we will be exploring over the next couple of weeks. So You will read for Wednesday's class the first two books of Paradise Lost.

在失乐园中弥尔顿成功地证实了,这样一个上帝,扩展出了一个我们下几周要研究的一个问题,所以在周三前阅读失乐园的前两部。

耶鲁公开课 - 弥尔顿课程节选

One of the labors of reading Paradise Lost is the reader's obligation to supply the analog for the X, and this poem is filled with such X's.

读的一个麻烦就是,读者需要自行类比出X究竟是什么，偏偏诗中又充满了这种不确定物。

耶鲁公开课 - 弥尔顿课程节选