Here now is the Midsummer Mozart Festival Orchestra, with conductor George Cleve and pianist Jeremy Menuhin.
VOA: special.2009.06.08
Okay, in the Mozart there were violins, so acoustical instruments as opposed to synthetic sound with regard to the pop music.
好的,在Mozart的作品中,小提琴,这种乐器发出的声音与那种,流行乐的合成音效是截然不同的
Now we'll play a passage of Mozart-- a symphony by Mozart here that he wrote at the ripe old age of nine years.
现在我们要放的这个片段来自莫扎特-,这首交响曲是莫扎特在九岁那年写的。
The Midsummer Mozart Festival is July sixteenth to the twenty-sixth in San Francisco,California.
VOA: special.2009.06.08
And notice how it's like the coffin's opening up and here comes Mozart's soprano line up here.
注意这段,多像棺材被打开啊,现在是莫扎特的高音部曲调线
The work is Mozart's Piano Concerto Number 13 in C Major.
VOA: special.2009.06.08
We had an example of that the other day working with the Mozart-- Where was that?
我们上次讲莫扎特时有过一个很好的例子,在哪里
We'll run about thirty seconds over as we listen to the "Lacrimosa" Out of the "Dies irae" Out of the Requiem Mass of Wolfgang Amadeus Mozart written in Vienna 1791.
我们要多听三十秒,《末日经》里的《落泪之日》,沃尔夫冈·阿玛迪乌斯·莫扎特的《安魂弥撒曲》,写于1791年维也纳
So that's the last music of Wolfgang Amadeus Mozart and his pupil, Suessmayr, and--not to leave you in a somber mood-- let's listen to Louis Armstrong as we go out. Okay?
那么,这就是莫札特和他的学生,苏斯迈尔一起完成的他最后的音乐,好了,别沉浸于忧郁的心情里,让我们聆听下路易斯·阿姆斯特朗的音乐,来领着我们下课吧,好吗
So Mozart may have had this image in mind of the damned and the left, but he sure was able to set it--this text-- through music by using a couple of devices.
因此莫扎特脑海中可能记住了,左侧受诅咒的人的画面,但他肯定通过若干乐曲技巧,用音乐表现出了文本内容
He's doing the opposite of what Mozart did.
而他所做的和莫扎特恰恰相反。
Here, from the Austrian National library where I was last summer photographing and having a wonderful time, is the last page of the Mozart -that Mozart ever wrote here. This is the "Lacrimosa, " and sort of breaking off--and he doesn't finish this particular movement.
这些都来自于奥地利国家图书馆,就是去年夏天我拍照的地方,在那我度过了快乐的时光,这是莫扎特安魂曲的最后一页,他曾写在这上面,这是《落泪之日》,还是半成品,他没来得及完成这个特殊的乐章
So that's Mozart using the "Duke of Earl" harmony--not really.
于是这里莫扎特用了,Duke,of,Earl,的和声,当然不是。
Now another way is through accent and to exemplify this let's turn to some classical music the music of Mozart so here we have Mozart's Fortieth Symphony his famous g Minor Symphony and we're going to go ahead and start to play it.
另一条途径是通过重音,我们到古典音乐中来找个例子,莫扎特的音乐,我们这里要放一段莫扎特的第四十号交响曲,非常著名的g小调交响曲,那么我们就开始播放吧
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