They may struggle to hide them. Probably the most common early sign is short-term memory loss.

VOA: special.2011.02.08

So now that we begin to have this ability to express strings in memory, to understand what they are, we can start to apply actually real-world algorithms to them.

现在我们开始用这个技能来在内存中表达字符串,来理解它们是什么，我们可以开始,我们可以对其使用实际的，现实生活中的算法。

哈佛公开课 - 计算机科学课程节选

To write about your life and to pretend that you're communicating the memory of what happened to you--your grief, your private grief-- doesn't contain that universalizing move that fiction, by its very essence, contains.

把你的生活呈现出来,假装成在描述发生在你身上的事，你的不幸，你个人的不幸-,不包括小说根本性的一般化处理，你看，你可以回忆我们在《尤利西斯》的广告。

耶鲁公开课 - 1945年后的美国小说课程节选

Pentagon Press Secretary Geoff Morrell says Gates urged both leaders to avoid a repetition of the "painful memory" of the five-month government formation process in 2005.

VOA: standard.2009.12.12

But we said earlier that, you know, we're going to get - to the point where we want to have a lot of pieces of -- a lot of variables in memory, maybe 140,000 dictionary words for some future peace set, but we don't want to enumerate line by line by line 140,000 variables.

但是我们之前说过，你们知道的，我们将获得,有很多块--很多变量的内存的指针-,可能有140，000个单词的集合,但是我们不想一行行地列举,140，000行变量。

哈佛公开课 - 计算机科学课程节选

"The one thing which one can say about this election -- and we haven't been able to say this for any election within living memory -- is that the only certain thing is that we cannot predict the outcome, even on the day before the poll."

VOA: standard.2010.05.05

I take this to be an undeniable fact, but this is easy for us to say - it's easy for us to say that it's Milton's memory which is the fount of so much of the poem's erudition.

我认为这是无可辩驳的，但我们可以轻易地说,我们可以说那是弥尔顿的记忆,作为了这部诗篇如此广博知识的源泉。

耶鲁公开课 - 弥尔顿课程节选

At the end of the semester he then asked people to rate different pictures as to how much they liked them, and even though people had no memory of seeing one or--versus the other they tend to like the pictures more that they had seen before.

在学期末，他叫同学,按自己喜欢程度，给这些图片评分，虽然同学都不记得哪些看过，哪些没看过,但他们喜欢的图片往往是,他们之前看过的图片。

耶鲁公开课 - 心理学导论课程节选

Milton's own faculty of memory - this is the idea that I'm going to be floating here - seems to provide something like, or pose a stumbling block or an obstacle for, his attempt to write an original, divinely inspired poem.

在这里我想说,弥尔顿自己的记忆系统,似乎想提供某种东西，或者想在他写出一部原创的，伟大的诗作的尝试上设置一个障碍。

耶鲁公开课 - 弥尔顿课程节选

That's because to suggest -- just think of it - to suggest that Milton is relying on his memory as he composes so allusively and so dependently, in a lot of ways, so much of Paradise Lost - to say that is simply to say that the poem has been generated by Milton and not by God.

让我们来设想一下其中的原因吧,假设弥尔顿全靠着他的记忆,正如他隐晦而连续地在《失乐园》中引经据典，并将这些以多种方式组合，这在《失乐园》中随处可见,以至于人们可以简单地说这部诗,是出自弥尔顿而非上帝的创作。

耶鲁公开课 - 弥尔顿课程节选