• "Manifest destiny,and so forth. And I think most of the world probably feels it is in the same situation as Astrix and his village Gaullois in that we can identify with that sense of wanting to hold out and resist against the encroaching powers.

    VOA: standard.2009.10.22

  • Language is not other than speech; it is perpetually manifest in speech, right?

    语言与言语密不可分;,它永恒地由言语表现,是吗?

    耶鲁公开课 - 文学理论导论课程节选

  • if they didn't have gambling, I think that, that behavior would manifest itself in another way.

    就算他们不赌博,这种意念也会驱使他们沉迷其他的事情。

    沉迷于彩票的人们 - SpeakingMax英语口语达人

  • You need a hero to help you, and having that hero, encountering the other mind as helper, is what obviates the tendency, even in a nice guy like Tony, toward narcissism which is manifest in the "I," "I," "I" at the beginning of the story.

    他能帮助你,有了他的帮助,就可以避免自我陶醉的趋势,即便是托尼这么好的人,也可能会有这一趋势,总是用,“我“,“我“,“我“来开头。

    耶鲁公开课 - 文学理论导论课程节选

  • He believed that dreams had a manifest content, meaning; "manifest" meaning what you experience in your dream.

    他认为梦是具有显性梦境的;,“显性“是指醒后所能记忆的梦境。

    耶鲁公开课 - 心理学导论课程节选

  • But Manifest Destiny was in some ways the fuel of the American imagination.

    但是命运天定在某种程度上,丰富了美国人的想象力

    耶鲁公开课 - 美国内战与重建课程节选

  • There is a kind of manifest and knowing confusion of the two in literature-- and Freud always says that the poets preceded him in everything that he thought--which suggests that it is rather hard to keep these things separate.

    文学中二者并没有明确区分-,他想来想去也找不到论据,这就证明,的确很难区分它们。

    耶鲁公开课 - 文学理论导论课程节选

  • I leave it to my expert colleagues in History of the American West to decide exactly who came up with the term Manifest Destiny, who actually first used it.

    我的同事是美国西部史专家,他也许能够,阐述清楚命运天定这个术语是怎么出现的,以及到底是谁第一个用它

    耶鲁公开课 - 美国内战与重建课程节选

  • That is to say, the text is there to express desire, to put in motion, and to make manifest desire or a desire.

    也就是说,文本就是用来表现内心真正的欲望,用一种动态的方式来展现愿望的。

    耶鲁公开课 - 文学理论导论课程节选

  • We have to assume, though, in the context of a reading of this kind that it's a push toward a state in which the little yellow garage and the unnarratable junkyard are manifest as one and the same thing.

    我们只能假设这种阅读的上下文,是在揭示一个状态,那就是黄色车库,和那个没有明说的垃圾场其实是一样东西。

    耶鲁公开课 - 文学理论导论课程节选

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