Galileo is the only contemporary personage, the only seventeenth-century figure, even so much as mentioned in Paradise Lost.

伽利略是唯一的一个当代人物，唯一的一个17世纪的人物，甚至在里也提到了这点。

耶鲁公开课 - 弥尔顿课程节选

And you can get lost in it 'cause there's so much stuff.

你会迷路的，因为里面东西太多了。

无论去几次也不会腻 - SpeakingMax英语口语达人

That's because to suggest -- just think of it - to suggest that Milton is relying on his memory as he composes so allusively and so dependently, in a lot of ways, so much of Paradise Lost - to say that is simply to say that the poem has been generated by Milton and not by God.

让我们来设想一下其中的原因吧,假设弥尔顿全靠着他的记忆,正如他隐晦而连续地在《失乐园》中引经据典，并将这些以多种方式组合，这在《失乐园》中随处可见,以至于人们可以简单地说这部诗,是出自弥尔顿而非上帝的创作。

耶鲁公开课 - 弥尔顿课程节选

So that's very sad, that part of his art was very very sad. But I still, I feel pathetic as I say in the last pages or so, but I never lost admire of his fortitude in going on and doing as much as he did.

这太令人伤感了,他的艺术也是很伤感的，我在书里最后几页表示了对他的同情，但是我,从来没有停止崇敬他,坚持不懈地做了这么多的精神。

麻省理工公开课 - 电影哲学课程节选